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Exhibition view
Territoire des stades, 2013, photomontage Google Earth, digial print, wood, 63 x 47,2 inches
Exhibition view
Bosquet 5 (diptyque), 2013, mechanical pencil 0,3B on white Canson paper, 16 x 16 inches x 2
La vue (series of 26), since 2012, soluble coffee on porcelain saucer, variable dimensions
Barbelé (series of 26), since 2012, soluble coffee on porcelain saucer, variable dimensions
Fruits (series of 26), since 2012, soluble coffee on porcelain saucer, variable dimensions
Eiffel (series of 26), since 2012, soluble coffee on porcelain saucer, variable dimensions
Exhibition view
Exhibition view
Survol 1 (paysage Eiffel), 2013, mechanical pencil 0,3B on white Canson paper, 12 x 12
Survol 1 (paysage Eiffel) (detail), 2013, mechanical pencil 0,3B on white Canson paper, 12 x 12
Grandes Montagnes Russes, 2012, mechanical pencil on white Canson paper, 23,6 x 18,9 inches
Exhibition view
Hublot #1, 2013, video installation on screen,(black cover on screen), variable dimensions
Hublot #1, 2013, video installation on screen,(black cover on screen), variable dimensions
Hublot #1, 2013, video installation on screen,(black cover on screen), variable dimensions
Hublot #1, 2013, video installation on screen,(black cover on screen), variable dimensions
Exhibition view
#25
Géraud Soulhiol
LA VUE
Solo show
Text by Umut Ungan
15/11/2013 -21/12/2013
In reference to Raymond Roussel's homonymous poem, where the author, discovering a beach scene inside his penholder's crystal ball, describes the unfolding scenes and gives free rein to his imagination, "La Vue" presents a diverse selection of Géraud Soulhiol's works. Through various media (drawings, photomontage, video installations) and materials, they draw a coherent plastic constellation of the artist's recent research around the question of the representation of "fantasy worlds" and "floating universes". Always at the brink of a certain intelligibility and opaqueness, Géraud Soulhiol's different "visions", be they based on landscapes, architecture, or else maps, aim to bring the viewer's gaze into a vague zone, a place that feeds on the continuous exchange between an eye accustomed to certain forms, and the specific attention demanded by the details that dislocate the "view".
(Umut Ungan, translation FRANK'S)