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exhibition view
Artiste au Travail, 2023 Chinese cookies, painted clay, table, desk lamp and chair, variable dimensions
Artiste au Travail, 2023 (detail) Chinese cookies, painted clay, table, desk lamp and chair, variable dimensions
Artiste au Travail, 2023 (detail) Chinese cookies, painted clay, table, desk lamp and chair, variable dimensions
Artiste au Travail, 2023 (detail) Chinese cookies, painted clay, table, desk lamp and chair, variable dimensions
Artiste au Travail, 2023 Chinese cookies, painted clay, table, desk lamp and chair, variable dimensions
Artiste au Travail, 2023 Chinese cookies, painted clay, table, desk lamp and chair, variable dimensions
exhibition view
exhibition view
Labeur d'après Pollock - 11,88 €/h, 151,67 h - Number 31 (1949), 2025 - 2026 Colored pencil on Arches paper, 32,7 x 23,7 inches, invoice on A4 paper
exhibition view
Labeur d'après Pollock - 30 €/h, 60,77 h- Number 32 (1949),2026 Colored pencil on Arches paper, 32,2 x 23,7 inches, invoice on A4 paper
Labeur d'après Pollock - 50 €/h, 36,11 h - Composition with Red Strokes (1959), 2026 Colored pencil on Arches paper, 37,8 x 26,8 inches, invoice on A4 paper
Labeur d'après Pollock - 100 €/h, 18,08 h- Number 19 (1948), 2026 Colored pencil on Arches paper, 31,9 x 23,8 inches, invoice on A4 paper
Labeur d'après Pollock - 500 €/h, 3,61 h- Number 19 (1948), 2026 Colored pencil on Arches paper, 31,9 x 23,8 inches, invoice on A4 paper
exhibition view
exhibition view
exhibition view
exhibition view
exhibition view
Slump (trop longtemps sans peindre...), 2026 Reconstituted stone, oil, synthetic hair, brass, metallic adhesive, 7,9 x 7,9 x 13,8 inches
Slump (trop longtemps sans dessiner...), 2026 oil on balsa wood, iron, Ø 0,6 inches, 21,7 inches
Artiste au Travail #2, 2026 capture of the color video, 43 min 21 s (collaboration with Camille Tabary) 3 editions + 1 AP
Artiste au Travail #2, 2026 capture of the color video, 43 min 21 s (collaboration with Camille Tabary) 3 editions + 1 AP
exhibition view
exhibition view
exhibition view
Mont Fuji, travail en arrêt maladie, 2026 Oil on convas, adhesing lettering 8,7 x 10,6 inches
Mont Fuji, travail un jour férié, 2026 Oil on convas, adhesing lettering 8,7 x 10,6 inches
Mont Fuji, travail en milieu bruyant, 2026 Oil on convas, adhesing lettering 8,7 x 10,6 inches
Mont Fuji, travail de nuit, 2026 Oil on convas, adhesing lettering 8,7 x 10,6 inches
Mont Fuji, travail en posture pénible, 2026 Oil on convas, adhesing lettering 8,7 x 10,6 inches
exhibition view
exhibition view
#95
Mayura Torii
ARTISTE AU TRAVAIL
solo show
29/05 - 18/07/2026
opening Sunday 31/05, 3pm -7pm
Who hasn’t felt like giving up at some point? Who hasn’t been overcome by the feeling that life is meaningless, that the world is out of whack, and that work is pointless? It was a Sunday evening, surely… or maybe a Monday morning… To all of us, inevitably, a question then arose: what’s the point? To this frantic quest for meaning in a world that no longer offers any, to these questions that embody every contradiction, to this colonization by the void of an art world that, whether reluctantly or wholeheartedly, allows the power of money to take deeper root every day, Mayura Torii responds with a Sisyphean plunge into the absurd and offers a remedy for our anxieties that is as lucid as it is playful.
Through a journey marked by playfulness, mocking jabs, and pranks, Mayura Torii offers a comforting counterpoint to the prevailing glorification of work as
the ultimate form of self-recognition and self-realization. In her works, art, work, and money are no longer disjointed territories but complicit spheres that intertwine, intersect, and silently influence one another, crossing paths in an uncertain zone—a suspended space where reference points vanish. It is in these interstices that the works take root and that the artist mischievously questions the possibilities of a work. Not outside the world, but within these intervals. Not beyond boundaries, but where value still hesitates to settle. Where the encounter takes place.
Nadia Drici