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Exhibition view Le parfum des absents, 2025, Palais Idéal du Facteur Cheval, Hauterives, FR

Le duo des fleurs, 2025 Glazed bronze, 11.8 × 17.7 × 13.8 inches

Le parfum des absents, 2025, Palais Idéal du Facteur Cheval, Hauterives, FR

Exhibition view L'enfance des monstres, 2025, Galerie Idéale, Paris

Attrape mouche, 2017, Forged and patined metal, 59 × 33.5 × 0.4 inches

On n'enterre pas des ailes sous la pierre, 2024, Glazed ceramic, 41.3 × 41.3 × 72.8 inches

Exhibition view La 17ème Biennale de Lyon Art contemporain, Les voix des fleuves, 2024, Musée des Beaux-Arts, Lyon, FR

Exhibition view Rest in Rose, 2024, Centre d'art contemporain Madeleine Lambert, Vénissieux, FR

Pot-Pourri, 2024, Terracotta and glazed ceramics, 39.4 × 19.7 × 19.7 inches

Mondes Sensibles, Une histoire sensorielle de l’œuvre d'art totale, 2024, Musée International de la Parfumerie, Grasse, FR

Exhibition view Mondes Sensibles, Une histoire sensorielle de l'oeuvre d'art totale, 2024, Musée International de

Le duo des fleurs, 2023, La Serre Wangari, Saint Ouen, FR

Le duo des fleurs, 2023, La Serre Wangari, Saint Ouen, FR

Exhibition view Le chant des forêts, 2023, Maif Social Club, Paris

Exhibition Le chant des forêts, 2023, Maif Social Club, Paris

Peaux, 2015, Patined bronze, 5.1 × 17.7 × 13.8 inches

Le baiser de l'araignée, 2022, Espace d'art contemporain Camille Lambert, Juvisy-sur-Orge, FR

Minimal Odorant, 2022, Pétales de roses sur bois, 13.8 × 9.8 × 1.6 inches

Le baiser de l'araignée, 2022, Espace d'art contemporain Camille Lambert, Juvisy-sur-Orge, FR

Exhibition view Le baiser de l'araignée, 2022, Espace d'art contemporain Camille Lambert, Juvisy-sur-Orge, FR

Le baiser de l'araignée, 2022, Espace d'art contemporain Camille Lambert, Juvisy-sur-Orge, FR

Le baiser de l'araignée, 2022, Espace d'art contemporain Camille Lambert, Juvisy-sur-Orge, FR

Exhibition view Un matin de mai fleuri, 2022, Fondation d'entreprise pour l'art contemporain Caisse d'Epargne - Midi Pyrénées Fondation Espace Ecureuil, Toulouse, FR

Exhibition view Un matin de mai fleuri, 2022, Fondation d'entreprise pour l'art contemporain Caisse d'Epargne - Midi Pyrénées Fondation Espace Ecureuil, Toulouse, FR

Un matin de mai fleuri, 2022, Fondation d'entreprise pour l'art contemporain Caisse d'Epargne - Midi Pyrénées Fondation Espace Ecureuil, Toulouse, FR

Un matin de mai fleuri, 2022, Fondation d'entreprise pour l'art contemporain Caisse d'Epargne - Midi Pyrénées Fondation Espace Ecureuil, Toulouse, FR

Exhibition view Un matin de mai fleuri, 2022, Fondation d'entreprise pour l'art contemporain Caisse d'Epargne - Midi Pyrénées Fondation Espace Ecureuil, Toulouse, FR

Exhibition view Es-senze, 2022, Museo di Palazzo Mocenigo, Venezia, it

Effleurement, 2021, Floral pot pourri and rosa classica's scent, 14.1 × 11.8 × 11.8 inches Perfume by Gael Montero, Givaudan

Le Reve, 2022 An immersive journey through 10 works scattered throughout the forest, 45 min

Le songe, 2022, Forêt de Fontainebleau, Fontainebleau, FR

Malefices, 2021, Glazed terracotta, 17.7 × 11.8 × 19.7 inches

Le Jardin des Lys (nos chemins partagés), 2021, Galerie Backslash, Paris, FR

Exhibition view Le Jardin des Lys (nos chemins partagés), 2021, Galerie Backslash, Paris, FR

Seul manque le parfum des fleurs, 2021, Atelier du Pavillon des Indes, Courbevoie, FR

Seul manque le parfum des fleurs, 2021, Atelier du Pavillon des Indes, Courbevoie, FR

Souviens toi de l'odeur du baiser, 2020, Dried roses, fertile soil, variable dimension With the participation and performances by Amelia Feuer & Ania Wozniak

Roses & Secrets, 2020 Plaster, acrylic resin, and colored wax, 39.4 × 51.1 × 39.4 inches each

Roses & Secrets, 2020, Centre horticole, Courbevoie, FR

Les rayons et les ombres, 2017, Forged and patined metal, 39.4 × 39.4 × 78.7 inches
"In Florian Mermin’s immersive installations, the boundary between inner and outer is blurred : the inner opens onto the eye of the public and visitor. At first intimate, it then becomes shared : we enter the artist’s consciousness, and he allows us into his inner-world. Traditionnaly, the garden is an enclosed place. In the artist’s installations, the garden is seen as a creation of the mind, a mental projection. Creating spaces where many different formats and materials are accumulated, he simultaneously works with ceramic, wrought iron, found objects, as well as natural and artificial plants, living and dead alike…
In his own very personal way, the artist revisits garden furniture by appropriating it, covering the ground with soil and the walls with pale green. Here, human beings have disappeared but they are never far away, present in different forms by way of anthropomorphic sculptures whish come to worry visitors. Florian Mermin’s aesthetics stem from an « uncanniness » dear to Freud, where the beautiful and shapeless, the domestic and the unknown, are in dialogue. His works are masks, totems, and monuments to varnished creatures. His œuvre is an ode to nature – a poisonous, dangerous nature – which gives, but may also take back."
Daria de Beauvais
Senior Curator - Palais de Tokyo, Paris, FR
