CAROLINE DELIEUTRAZ

View from the exhibition "Bleen", 2024, 22,48 m², Romainville

(Detail) Seed 478, 2024 Digital print on polyester fabric, quilting 164 x 153 cm / 65 x 59 inches

View from the exhibition "Bleen", 2024, 22,48 m², Romainville

Seed 790, 2024 Digital print on polyester fabric, quilting 164 x 146 cm / 64 x 57 inches

Switch, 2022, performance in two parts, about 40 min each, La Gaîté Lyrique production In collaboration with the ASMR artist Behind The Moons

Let me relax you by touching works of art, 2021, video, binaural sound, 44'41",Studio 13/16 - Centre Pompidou production In collaboration with the ASMR artist Behind The Moons

The Impure Circulations, 2020-2021, poster, 27 x 37 inches Graphic design: Léna Araguas et Alaric Garnier

Art and Sneakers series, 2018 - ongoing, #39 Alexander Rodtchenko, Constructivist poster, 1923 / Adidas Yung 1 Shoes Red Navy

Odyssey (Aurélien), 2019, HD video, 9/16, 3'56''

Monologue (Aurélien), 2019, vidéo, HD, 9/16, (5 min 47)

Swipe Dream #5, 2019, framed fine art print, 9,9 x 17,7 inches

Troll #6, 2019, fabric mask, chain, 11,9 x 18,3 inches

Net (Pandinus Dictator), 2016, series of five, cellphones, online found footage, 7,8 x 10,6 inches each

View from the exhibition "Unamed Feelings", 2017, 22,48m², Paris

Seizure (Pandinus Dictator), 2016, Photograph, pigmentary print, 9,4 x 11,8 inches

Fulgur (Pandinus Dictator), 2016, pigmentary print, 11,5 x 13,8 inches

Just The Fact Nothing But The Fact, 2016-2017, HD video, 10'26"

Black Armor, 2017, installation, 13 elements of fairing made of ABS plastic, 70 x 62,9 inches

View of the exhibition, "Unamed Feelings", 2017, 22,48m²

Embedded Files, 2015 - 2017, Installation, 12 paraffin blocks, found pictures and objects, light box, plexiglass shelf, HD video, 48'56". Video made in collaboration with the Youtuber Rikita ASMR.

✨ Unboxing + tapping + whisper ✨ with Rikita ASMR, (Embedded Files), 2017, HD video, headphones , binaural sound system, 48'56"

Blue Skin (détail), 2017, pigmentary print on fine art paper, 62,9 x 11,8 inches each

Deux Visions, Series of diptychs, pages of the book La France de Depardon, screenshots from Google Street View, 62,9 x 11,8 inches each diptych

Deux Visions, Series of diptychs, since 2012, pages from the book "La France de Depardon", screenshots from Google Street View, 62,9 x 11,8 inches each

Les vagues, 2015, jigsaw puzzle, wood, 16,3 x 11,4 x 0,7 inches

Les Otages, 2014, Video installation, 15 inches screens, captions, variable dimensions

Claire Blandin, 2014, digital print, headphones, mp3 players, soundtrack, variable dimensions

Trucage, 2014, book (Philippe Vasset, Exemplaire de démonstration, Fayard, 2003), Ipod, Rhodoïd paper, green paint, 12.5 x 11.6 inches

Masques anti-regard, 2014, plastic, frosted film, wooden shelf, 31,4 x 7,8 x 4,3 inches

Written in flesh, 2014, series of digital prints, found images, variable dimensions

Sans titre (La Tour de Babel), detail, 2013, jigsaw puzzle, wood, 3136 pieces, 22 x 18,1 inches

L'homme qui dormait dans un livre, 2014, domain name, program, found images

A l’œil nu, 2012, graphite on paper, aluminium, 47,2 x 55,5 inches

Les matrices (une archéologie du web), 2012, wax, plexiglass bell, 12.4 x 9.13 x 1.7 inches

L'explication du monde, 2012, website www.lexplicationdumonde.net, found animated gifs, jigsaw puzzle, wood, 117 pieces, 11,2 x 6,6 inches

Venezzia_biennial_jn_3.jpg, 2011, binder, printed screenshots, posters, 15' video, dimensions variable. View of the exhibition "Falling Pictures", 2011, Gallery 22,48m².

300 avatars par défaut, 2011, loop animation video, Ipod

Au creux de nos mains, 2011, video installation

Autoportrait de la lampe, 2010, installation, lamp, inkjet print, 8.2 x 11.6 inches

Falling Pictures, 2010, website, domain name

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Caroline Delieutraz works with material that is abundant in our society of information: images and other data, circulating insensitively through the flow of international electronic networks. The origins of this data, the way it appears in public space – including the internet – its exploitation, transformations and successive reuses, its death and rebirth, all form the focal point of her work. Every day, Caroline Delieutraz gathers all kinds of material available on the web and manipulates it, in an attempt to occupy this constantly fluctuating world in her own way. Even though she perpetuates what could be referred to as the erasure of the “original”, a relative concept in a copy-paste world, she never negates the origin of this data or the work that others have accomplished. On the contrary, the source of the images are an integral and significant part of her work. Caroline Delieutraz moves and reshapes the information she extracts from the system in an effort to question the authority of these images that seem so familiar to us that they have become certainties. By constantly jumping from the so-called “virtual” world to the so-called “real” world, Caroline Delieutraz’s different pieces take on the appearance of digital and analog vehicles, the mysterious hybrid elements that make up the data.

Géraldine Miquelot

VIDEOS

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