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Exhibition view, TRAINING AND THE OPPOSITE, 22,48 m², Romainville

Blue Tom (detail), 2023, Stoneware, glass paste, soap, hair, cotton, incense, sugar, 37,4 x 13,7 x 13,7 inches

Green Lara (detail), 2023, Stoneware, glass paste, soap, hair, cotton, incense, sugar, 25,5 x 13,7 x 13, 7 inches

Exhibition view, TRAINING AND THE OPPOSITE, 22,48 m², Romainville

Vertumme 2021 Glazed sandstone, kumquats 11,4 x 14,2 x 6,7 inches

Nature Morte à l'Orange 2023 Coloured pencils on Montval paper 23,6 x 29,5 inches

Pomone 2021 Glazed sandstone, kumquats 14,6 x 11,4 x 11,4 inches

Nature Morte au Pomelos 2023 Coloured pencils on Montval paper 23,6 x 29,5 inches

Lara 2023 Glazed sandstones, grapes, incense 14,6 x 10,6 x 5,1 inches

Nature Morte aux Raisins 2022 Coloured pencils on Montval paper 23,6 x 29,5 inches

La veilleuse 2022 Sandstones, apple 27,6 x 12,2 x 8,7 inches

Mara 2023 Glazed sandstones, glass paste, pomelos 79 x 12 x 8 inches

Antoine 2022 Glazed sandstones, apple 13 x 13,8 x 4,7 inches

Stillborn Newborn etc 2022 Fountain in glazed sandstones, glass paste 17,7 x 14,2 x 15 inches

Solibacillus Kalamii 2019 Glazed sandstones 23,6 x 23,6 x 51,2 inches

Les fruits de la Terre #10 2022 Coloured pencils on Montval paper 6,7 x 11,8 inches unique

Les fruits de la Terre #9 2022 Coloured pencils on Montval paper 6,7 x 11,8 inches unique

Les fruits de la Terre #7 2022 Coloured pencils on Montval paper 6,7 x 11,8 inches

Les fruits de la Terre #14 2023 Coloured pencils on Montval paper 6,7 x 11,8 inches

Pendick 2021 Sandstones, glass paste, pampa flower 40 x 40 x 20 inches credits: Akya Lux

Mes doigts dans la mousse 2022 Glazed sandstones tiles 18,9 x 11,4 x 0,4 inches

Sucellus 2021 Sandstones, ink, glass paste, grapes, incense 40 x 40 x 60 inches

Floating Point 2022 Glazed sandstones, glass paste 9,4 x 14,2 x 2,4 inches

Les fruits de la Terre #8 2022 Coloured pencils on Montval paper 6,7 x 11,8 inches

Les fruits de la Terre #3 2021 Coloured pencils on Montval paper 6,7 x 11,8 inches

Les fruits de la Terre #2 2021 Coloured pencils on Montval paper, 6,7 x 11,8 inches

Les fruits de la Terre #1 2021 Coloured pencils on Montval paper, 6,7 x 11,8 inches

A Little Beast Portrait 2022 Glazed sandstones, glass paste 7,5 x 3,9 x 1,6 inches

Architecture pour Lune 2022 Glazed sandstones, glass paste, soil, fruit, 78,7 x 39,4 x 11,8 inches

The Den 2020 Ceramics, incense 6 x 6 x 4 inches

Call it Sleep 2022 Glazed sandstones, glass paste 17,7 x 14,6 x 2 inches Exhibition view: "Mes doigts dans la mousse", galerie A.MANO Studio, biarritz, 2022

Michel 2020 Ceramics, dried flower, earring 15 x 8 inches

There is no Place like Home 2019 Sandstones, car mats, lioleum, gas lantern 140 x 100 inches credits: Florent Basiletti

Les Deux Géants à la Prune 2022 Coloured pencils on Montval paper 23,6 x 29,5 inches

Bliss V 2020 Coloured pencils on Montval paper 8,3 x 11,8 inches

Bliss III 2020 Coloured pencils on Montval paper 8,3 x 11,8 inches

Pattern II 2020 Coloured pencils on Montval paper 31,5 x 43,3 inches

A Beast Portrait 1 2023 Glazed sandstones, glass paste 9,8 x 14,6 x 0,8 inches

A Beast Portrait 3 2023 Glazed sandstones, glass paste 9,8 x 14,6 x 0,8 inches

The Locked Up #1 2023 Glazed sandstones, glass paste 14,6 x 18,5 x 0,8 inches
"Ellande Jaureguiberry has been practicing drawing and ceramics since his studies at the École supérieure d'arts et médias de Caen, from which he graduated in 2016. On the one hand, there is the long time of drawing - "scratching the paper" with colored pencils, building and composing on the sheet - and the economy of means, and on the other, the "faster" time of ceramics and the constraints of production. The artist finds his balance in this way. If each medium exists by itself, drawing and ceramics dialogue with each other during exhibitions. [...] Ceramic rods are also recurrent motifs in his works on paper. Fruits, flowers, branches and parts of the human body - tongues, torso, ears, hands, etc.-, drawn with a precision and attention to detail that characterize the work of the artist born in 1985, appear regularly. 'I look at a lot of anatomical plates from the 1950s. Their colors, their paper, their illustrations which sometimes lead to abstraction inspire me' he explains. Ellande Jaureguiberry's drawings, notably presented at the Salon de Montrouge in 2019, mix the mineral, the botanical and the organic. Loaded with sexual symbols, they evoke reproductive systems, paths of life. They also multiply the games of frame and plan, as well as the trompe-l'oeil. Recently, the artist has been looking back, taking stock: 'Today I am returning to the vaporous and slightly cloudy backgrounds of my first black and white drawings. But this time, they are colored. It is a logical continuation.' "
Barbara Soyer in L'art contemporain, 80 artistes published in October 2022 by Pyramyd (Paris).