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Un gesto cinico 2023, Glass powder, sand and rabbit skin glue on canvas, 75 x 63 inches
Exhibition view, 'La lupa (panorama)', 2023 Galleria Daniele Agostini, Lugano, CH
Exhibition view, 'La lupa (panorama)', 2023, Galleria Daniele Agostini, Lugano, CH
Exhibition view, ‘Ontica’, 2022, Contemporary cluster, Roma, IT
Installation view, 10000 seahorse power, Hypermaremma, Capalbio, 2021
ISO #56, 2021, glass powder, sand and rabbit skin glue on canvas, 59 x 47 inches
Roma cinica, 2022, Glass powder, sand and rabbit skin glue on canvas 69 x 56 inches
Exhibition view, ‘PUNTINISMO’, 2024, 22,48 m2, Romainville, FR
Exhibition view, ‘PUNTINISMO’, 2024, 22,48 m2, Romainville, FR
Exhibition view, ‘PUNTINISMO’, 2024, 22,48 m2, Romainville, FR
Exhibition view, ‘PUNTINISMO’, 2024, 22,48 m2, Romainville, FR
Quanto silenzio nei giorni di festa, 2022, Glass and sand on panel, 79 x 8 x 1.5 inches
ISO #100, 2022, Glass powder, sand and rabbit skin glue on canvas, 59 x 47 inches
ISO #100 (details), 2022, Glass powder, sand and rabbit skin glue on canvas, 59 x 47 inches
ISO #165, 2023, glass powder, sand and rabbit skin glue on canvas, 16 x 20 inches
ISO #165 (details), 2023, glass powder, sand and rabbit skin glue on canvas, 16 x 20 inches
ISO #63, 2022, glass powder, sand and rabbit skin glue on canvas, 85 x 59 inches
ISO #99, 2022, glass powder, sand and rabbit skin glue on canvas, 59 x 47 inches
ISO #101, 2022, glass powder, sand and rabbit skin glue on canvas, 59 x 47 inches
ISO #102, 2022, glass powder, sand and rabbit skin glue on canvas, 59 x 47 inches
ISO #144, 2023, glass powder, sand and rabbit skin glue on canvas, 20 x 16 inches
Occhio di donna, 2021, glass and bottle cap 1 x 1.3 inches
Un raggio blu, 2021, glass powder, sand and rabbit glue on wood, 97 x 54 inches
Installation view, Un raggio blu, 2021, glass powder, sand and rabbit glue on wood, 97 x 54 inches
Alla testa dell’acqua, 2023, bronze and glassfusing, 101 x 13 x 19 inches
Alla testa dell’acqua (details), 2023, bronze and glassfusing, 101 x 13 x 19 inches
Installation view, Un calcio drudo, 2023, glass, travertine and brass, dimensions variable
Nulla è esotico tutto ci appartiene, 2022, glass fusing, sand on wood, 7.5 x 15.5 x 2 inches, courtesy LABS, Bologna
Nulla è esotico tutto ci appartiene, 2022, glass fusing, sand on wood, 13.5 x 15.5 x 3 inches, courtesy LABS, Bologna
Uno spazio compreso tra lo zero e l’uomo, 2023, perforated glass and rosemary, dimensions variable
Un raggio giallo 2022, glass powder, sand and rabbit skin glue on canvas, 89 x 55 inches
ISO #153, 2023, glass powder, sand and rabbit skin glue on canvas, 16 x 20 inches
ISO #159, 2023, glass powder, sand and rabbit skin glue on canvas, 9 x 7 inches
ISO #160, 2023, glass powder, sand and rabbit skin glue on canvas, 9 x 7 inches
ISO #161, 2023, glass powder, sand and rabbit skin glue on canvas, 9 x 7 inches
ISO #162, 2023, glass powder, sand and rabbit skin glue on canvas, 9 x 7 inches
ISO #167, 2023, glass powder, sand and rabbit skin glue on canvas, 16 x 20 inches
Nulla è esotico tutto ci appartiene, 2022, glass fusing, sand on wood, 8 x 10 x 3 inches
Un raggio blu, 2022, glass powder, sand and rabbit glue on wood, 141 x 27 inches
Marco Emmanuele approached the visual arts after studying engineering and architecture. In his research, the relationship with technology and man's ability to profoundly transform the environment in which he lives always remains strong. He deals with materials of industrial origin such as steel, ceramics and glass, transmuting their nature into artistic language and investigating their expressive potential.
In his latest research, he has experimented with the painterliness of pigments obtained by mixing glue and glass powder. The latter element is chosen by Emmanuele from debris collected on the beach, sorted by colour and grounded until they are ready to be applied on canvas or board. The artist juxtaposes pastel colours, constructing the images through flat and textured fields, with a result that shows definite visual assonances with fresco and mosaic techniques. Light plays an active role in Emmanuele's works, and the vitreous paste he uses conveys a particular brilliance to the final composition.