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Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
GREEN ATTITUDE, 2017 Oil on canvas, 47,2 x 39,3 inches
Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
ESPRIT BAUHAUS, 2015 Oil on canvas, 31,8 x 39,3 inches
FAUSSEMENT SOBRE, 2015, Oil on canvas, 31,8 x 39,3 inches
Still Life for Pets #3 - Vanité, 2023, Oil on canvas, 19,6 x 19,6 inches
Still Life for Pets #1, 2022, Oil on canvas, 19,6 x 27,5 inches
Still Life for Pets #2, 2022 Oil on canvas, 19,6 x 27,5 inches
Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
Versus 2018-2020 Graphite pencil on paper, dyptique - Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
Versus #3, 2022, Pen on paper, 11,7 x 8,2 inches, Graphite pencil, charcoal on paper, 55 x 39 inches (Collection du Département des Bouches-du-Rhône)
Versus #3, 2022, Pen on paper, 11,7 x 8,2 inches, Graphite pencil, charcoal on paper, 55 x 39 inches (Collection du Département des Bouches-du-Rhône)
Exhbition view, « A dessin», Latelier, Sète, 2021, photo. ©Stéphanie Majoral
Esrevner, 2019 Graphite pencil on the back of Arches paper, framed, 26 x 33,8 inches
Esrevner, 2017 Graphite pencil on the back of Arches paper, framed, 26 x 33,8 inches
Esrevner, 2017 Graphite pencil on the back of Arches paper, framed, 26 x 33,8 inches
Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
The Kings (Prototype), 2023 3D print, acrylic, pearls, velvet fabric, 7,8 x 7,8 x 6,1 inches
The Kings, 2019-2023 Gouache paint on framed paper, 18,3 x 11,7 inches
Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
Camouflage de Femme Ninja 2012-2020 Graphite pencil on Arche paper, 62,2 x 27,5 inches
Artiste au Travail 2023 Installation, fourtune cookies, painted clay, table, desk lamp and chair, dimensions variable
Artiste au Travail (détail), 2023 Installation, fourtune cookies, painted clay, table, desk lamp and chair, dimensions variable
Festin, 2019 - en cours Ink pen on paper, 3,5 x ∞ inches
Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
Lady-Made - Fontaine, 2005, Embroidered textile, 18 x 18 x 11,4 inches, A4 letter
Exhbition view, « Domestique», Château de Servières, Marseille, 2023, photo. ©Jean-Christophe Lett
Lady-Made - Hat Rack, 2015, Wool, metal and wood 18 x 18 x 11,4 inches
Lady-Made - Air de Paris, 2015, Wool, metal and wood 5,7 x 3,3 x 3,3 inches
Lady-Made - Trébuchet, 2015, Wool, metal and wood, 7,4 x 18,6 x 5,1 inches
DREAMS #2, 2022, Oil on scratch card, magnets, framed, 7,8 x 9,2 inches
DREAMS #2, 2022, Oil on scratch card, magnets, framed, 7,8 x 9,2 inches
DREAMS #2, 2022, Oil on scratch card, magnets, framed, 7,8 x 9,2 inches
DREAMS #2, 2022, Oil on scratch card, magnets, framed, 7,8 x 9,2 inches
DREAMS #2, 2022, Oil on scratch card, magnets, framed, 7,8 x 9,2 inches
Mayura Torii lets herself be carried by a floating incomprehension, a confusion of genres and values. This floating and this confusion, she takes them in, builds them, always in the name of a smile. She reinjects play, a subtle piffle, in the pontificating aspect of the concept. In this, she remains amused and skeptical of the Westerner’s overvaluation of performative thinking. She is not simply content with reminding us that there are other worlds with different orientations and hierarchies. From a destabilization without seriousness, she works sensations of joy and astonishment proper to the displacement. Each one of these works restitutes us the transitional disturbance, the indecision of the threshold, the delicious sensations of a small mental frontier to pass. This work, which is based on language, explores sensations of strangeness and of presence more or less detached from reality.
Extract of the text «Fozami», Frédéric Valabrègue