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Thinning leaves, 2013, series of photographs
Les adversaires, 2022, real-time film and installation at the Fondation Ricard, 80’
Athéna Niké, 2019-2021, project, films and installations
Athéna Niké, 2019-2021, project, films and installations
Unnamed, 2017, installations, posters, videos, objects
Le châle byzantin et le torchon, 2024, print on rag
La Cérémonie des cérémonies, 2023-2024 Film (63 minutes) and objects
Home Cinema, 2012, installation, São Paulo Biennale
Construire les liens familiaux, 2016, films, installations
Les usagers, 2019, workshop, performances, photographies
Missy 39 (Les chaussures), 2015, mismatched pair of shoes,
Mascara Tamiko (Les chaussures) 2015, mismatched pair of shoe
37 Minelli (Les chaussures), 2015, mismatched pair of shoes,
Prediction Laureana (Les chaussures), 2015, mismatched pair of shoes
Beautiful Landscapes (Beautiful Landscapes, depuis 2006), 2009, photography and collage
Exibition view, "MEMORY", 2024, 22,48 m², Romanville, FR
Exhibition view, 'The Timeshare Project', 2017, Kunsthal Aarhus, Aarhus
Untitled, 2010-2015, series of objects made throughout my travels
Untitled, 2010-2015, series of objects made throughout my travels
Untitled, 2010-2015, series of objects made throughout my travels
La Maison dans l’école, 2023, Video, 30 min
En 2018, 2018 video, 30 min
Au fond des choses, 2020, film
True Stories, 2013-2017, project, objects and stories
La Transition, 2014, installation: 3 films, various objects
La Transition, 2014, installation: 3 films, various objects
The Travelers, 2011, video, 18 minutes
Desert Studio, 2009 installations
Alex, 2015-2016, project, films and installations
Seuls au Monde, 2014, video
Exhibition view, «Jours Heureux», 2011, WSE Gallery, New York, US
Nuanciers, 2017 Exhibition view, "Bilder der Welt", 2018, Villa Merkel, Esslingen, DE
Born in 1982, Pauline Bastard studied at the Beaux-Arts de Paris, Sorbonne and New York Universities. Her practice is built around various social structures, which she questions by reproducing them in collective experiences. Being a person, being part of a family, working together, gathering around grand narratives: these re-enacted situations produce images, films and objects. Her work can be found in several public collections. She has been teaching since 2007 (Sorbonne, ESAAA, ENSBA).