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Exhibition view, Le monde des blocs, 2024, Centre d’art d’Anglet, Galerie G.Pompidou, FR ©A. Vaquero
Exhibition view, Le monde des blocs, 2024, Centre d’art d’Anglet, Galerie G.Pompidou, FR ©A. Vaquero
Exhibition view, "Structures et décadences", 22,48 m2, Romainville, FR
Exhibition view, "Structures et décadences", 22,48 m2, Romainville, FR
Sans titre, (details) 2025 Hollow bricks, copper pipes, brass hardware 39,4 x 4 x 94,5 inches
Exhibition view, "Structures et décadences", 22,48 m2, Romainville, FR
Sans titre, 2025 Hollow bricks Approx. 63 x 47,2 x 35,4 inches
Sans titre, (details) 2025 Hollow bricks Approx. 63 x 47,2 x 35,4 inches
Sans titre, (details) 2025 Hollow bricks Approx. 63 x 47,2 x 35,4 inches
Exhibition view «Querelles festives !» 2023, Chapelle du Genêteil, Centre d’art du Carré à Château Gontier sur Mayenne, FR
Exhibition view «Querelles festives !» 2023, Chapelle du Genêteil, Centre d’art du Carré à Château Gontier sur Mayenne, FR
Sans titre, 2025 Hollow bricks 90,6 x 75,2 x 106,3 in.
Sans titre, (details) 2025 Hollow bricks 90,6 x 75,2 x 106,3 in.
Super Asymmetry, 2012 In situ installation, brick height 47,2 inches, floor area approx. 120 square meters Centre d’Art de la Maréchalerie, Versailles, FR ©A.Mole
Sans titre, 2025 Lightweight concrete blocks 157,5 x 2,8 x 137,8 in.
Sans titre, (details) 2025 Lightweight concrete blocks 157,5 x 2,8 x 137,8 in.
Laocoon, 2022 Dibond panels, approximately 177,2 x 137,8 x 177,2 inches Hortillonnages, Amiens, FR ©Yann Monel
La somme des hypothèses 2011 Steel, wooden planks, approximately 236,2 inches in diameter, Anglet Biennale, Tuileries Garden, FR
Exhibition view, solo show, Centre d’art de Pontmain, 2025, © Guillaume Ayer
Sans titre, 2025 Hollow bricks, plaster Approx. 13,8 x 9 x 9,8 inches each
Exhibition view, "Structures et décadences", 22,48 m2, Romainville, FR
Sans titre, 2025 Digital print, pigment ink on archival matte paper 29,7 x 42 cm / 11,7 x 16,5 in.
Sans titre, 2007 Digital print, pigment ink on archival matte paper 65 x 50 cm / 25,6 x 19,7 in.
Sans titre, 2005 Digital print, pigment ink on archival matte paper 14,8 x 21 cm / 5,8 x 8,3 in.
Sans titre, 2015 Digital print, pigment ink on archival matte paper 29,7 x 42 cm / 11,7 x 16,5 in.
Positionnement stratégique, 2014 Plastic crates, metal frame, camouflage netting 157,5 x 177,2 x 177,2 inches Les Champs Libres, Rennes, FR ©Renaud Duval
Positionnement stratégique, (details) 2014 Plastic crates, metal frame, camouflage netting 157,5 x 177,2 x 177,2 inches Les Champs Libres, Rennes, FR ©Renaud Duval
Sans titre, 2007 lithograph, 31,5 x 47,2 inches
Sans titre, 2024, digital drawing, framed, 11.8 x 15.7 inches
Exhibition view «Extended Mind», Galerie Bertrand Grimont, Paris, FR ©A.Mole
Sans titre, 2018 Assembled and cut composite wood fence slats, Valchromat panel, aluminum frame, and metal struts 98,4 x 51,2 x 47,2 inches ©A.Mole
Sans titre, 2017 glued composite wood posts, approximately 35,4 x 35,4 x 19,7 inches , ©A.Mole
Sans titre, 2016, digitally cut, broken, and assembled compact laminate sheets, variable dimensions
La mécanique des idées, 2011 cut stainless steel plates, stainless steel tubes and bolts, approximately 130 x 130 inches, Public commission for le centre de formation de la Chambre de Commerce et d’Industrie, Cholet, FR, ©Camille Hervouet
Sans titre, 2011 in situ installation, floor space approx. 65 sq m, volume approx. 94,5 x 118,1 x 118,1 in., vinyl flooring (130 sq m) and metal corner pieces, Château du Domaine Départementale de Chamarande, FR
Sans titre 2008, in situ installation, concrete blocks, floor space approx. 300 square meters Biennale de Seine Saint-Denis “Art Grandeur Nature”, “La spécificité des sols” Instants Chavirés, Montreuil, FR
Entre les gouttes, 2024, permanent sculpture, stainless steel, 157,5 x 236,2 x 157,4 inches for l’Ilot Notre Dame, Châlons en Champagne, FR
Etoiles du matin, 2020, Replicas of medieval armor and helmets repainted in the colors of military armored vehicles, aluminum and steel support 137,8 x 137,8 x 118,1 inches
La Parade, 2023 installation consisting of 12 masts, each bearing a replica of a mask or experimental armor developed during World War I Citadelle Souterraine de Verdun. Public commission for la Communauté d’Agglomération du Grand Verdun. 1% Artistique. FR Production : Atelier bfactory -G.Bretéché / V.Mauger
Les Sémaphores, 2019 set of 5 gazebos, oak wood and galvanized steel, 314,9 x 177,2 x 354,3 inches Installation locations : (5 belvédères) Saint herblain, Couëron, Saint Etienne de Montluc, Donges, Saint-Nazaire, FR Bureau d’étude ECSB et Réalisation / ECSB Design Office and Production: Ateliers Perrault
Vincent Mauger is an artist born in 1976 in Rennes and living in Nantes. He works with “poor” materials, playing with volume and space in order to redefine the latter and give it a new dimension. A sensitive and logical artist, all his work is based on a study of form and the type(s) of material used. He sketches and develops his work using computer-generated sketches and test models. Once he is satisfied with his project, this seemingly fragile individual attacks the material, often using a chainsaw. "I really like this relationship with violence during the creative process. In my opinion, it's like the violence (in the literal sense of the word) that we may experience throughout our lives, which shapes us and sharpens us, sometimes bringing out the best in us." This artist's work on the material, attacking it in order to bring something out, is similar in some ways. He restores meaning and existence to the simple materials he uses. Polystyrene or terracotta bottle racks, PVC crates, battens, and various types of non- precious wood become daily objects that alter our relationship with the space in which the sculpture is placed.
Written for Chaosmos, MAIF Social Club, 2025