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exhibition view
Giravolte, 2025, Collective ex-voto: collection and melting down of coins from the Trevi Fountain
exhibition view
exhibition view
Rocky II, since 2021, fake mole, tattoo, variable dimensions
Rocky II, since 2021, fake mole, tattoo, variable dimensions
Rocky II, since 2021, fake mole, tattoo, variable dimensions
Glory, 2026,48 trophies, engraved PVC plaques, dimenions variable
Glory, 2026 Trophies, engraved PVC plaques, variable dimensions Views from the exhibition ‘L’Inestimable at the 22.48m² gallery, Romainville (2026) © Pinco Pallino
exhibition view
Giravolte (remainders), 2025, copper, zinc, aluminium, tin, cupronickel, nickel brass, nickel, variable dimensions
Giravolte (remainders), 2025, copper, zinc, aluminium, tin, cupronickel, nickel brass, nickel, variable dimensions
Kerkouane-Petrosino, with Ismail Bahri, video diptych, 65 min
Kerkouane-Petrosino, with Ismail Bahri, video diptych, 65 min
Mother of Pearl (détail), 2025, 18 silkscreen prints on glass, 32.5 × 50 cm each
Mother of Pearl, 2025, 18 silkscreen prints on glass, 32.5 × 50 cm each
L'Éternité (veil), Salt pearls from Lake Assal (Djibouti), oxidised silver, 25,6 × 26,7 inches
L'Éternité (veil), détail, 2026, Salt pearls from Lake Assal (Djibouti), oxidised silver, 25,6 × 26,7 inches
View of the exhibition “minimal, minimal” at POUSH, Aubervilliers (2025) © Alix Boillot
View of the exhibition “minimal, minimal” at POUSH, Aubervilliers, curated by Yvannoé Kruger (2025) © Alix Boillot
Lacrymatoires, rock salt, variable dimensions, 2024 © Alix Boillot
L’Éternité (choker), 2024, salt beads from Lake Assal (Djibouti), oxidized silver, variable dimensions, one of a kind pieces Lyon Biennale Production Studio views © Alix Boillot
Diocletian’s Baths, Michelangelo’s Cloister, Rome (2024) With Valentina D’Angelo © Monkeys VideoLab
Carmignac Foundation, Porquerolles (2024) With Laurène Aguillon © Thibaut Chapotot
3/8 Campo Imperatore, at the foot of Gran Sasso, in 3/8 Abruzzo (Italy), 2024
Lafayette Anticipations (Festival d’Automne), Paris, 2023 With Julien Lacroix
Concept, direction, and choreography: Ola Maciejewska Performance: Leah Marojevic Dance Construction (ice form): Alix Boillot Prototype and molds: Mathieu Peyroulet Ghilini Special thanks to Samira Ahmadi Ghotbi, Charlotte Wallet, Pascal Chevé, and Guénaël Morvan
Farewell, Beauty, since 2021 Photograph, 33.75 x 60 cm
Ad Vitam, since 2021 Plaster mould split into four parts Diameter 20 cm, height 25 cm
Nuit Blanche, Église Saint-Ignace, Paris, 2020
Nuit Blanche, Église Saint-Ignace, Paris, 2020
Augures, since 2019 Collection of found playing cards Variable dimensions
Augures, since 2019 Collection of found playing cards Variable dimensions
Augures, since 2019 Collection of found playing cards Variable dimensions
Saint-Cyr-l’École, 2017
Mimicry, 2017, Photograph of a child pretending to cry, one-of-a-kind piece
Mimicry, 2017, Photograph of a child pretending to cry, one-of-a-kind piece
Where’s the Exhibition?, 2017 Publication 9 × 14 cm, 160 pages Studio views © Antoine Legond
Where’s the Exhibition?, 2017 Publication 9 × 14 cm, 160 pages Studio views © Antoine Legond
Graduated from l’École nationale supérieure des Arts Décoratifs de Paris (2015), Alix Boillot conceive sculptures, videos, protocol-based works and performances ; what they all have in common is the quest for a certain side – romantic, mystical, playful – of our humanity, which is attached to what has no value other than the value we grant it. In other words, it’s about gathering here below tangible traces of our attachment to sacredness, to the artefacts and rituals that resist modern productivism.
Fellow at the Villa Medici in 2023-2024 and resident at the Fiminco Foundation in 2024- 2025, she now lives and works in Paris.