A truly shared love, 2018, UHD video, 4’ 30’’, produced by La Villa du Parc, Annemasse

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Return of the Broken Screens, 2015, installation, videos, damaged screens, durations and dimensions variables (with the support of SCAM)

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Sans titre (charentaises), 2018, print on aluminium, 102,3 x 56,6 inches

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Oasis Max Life, 2016, tablet computers in floral foam, videos, steel pedestal, 15,7 x 15,7 x 19,7 inches

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Nakamoto (the proof), 2014 - 2018, pigment printing on backlit paper, scanner HP N6350, leds, text on paper, 35,4 x 19,6 x 3,9 inches

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Fireplace, 2018, installation, video collage, 10 hours videos and streaming found online, variable dimensions

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Gold and Glitter, 2015, website, installation, GIF, found objects

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DP, 2018, stereoscopic VR video, 3'30''. Exhibiton view, La Villa du Parc, Annemasse, (crédit : Aurélien Mole)

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DP
DP

2018, stereoscopic VR video, 3’30’’

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b0mb
b0mb

2018, website, online generative video, 9' 58''

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Lightening Ride
Lightening Ride

2017, full HD video, 7'40''

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♥ Paintings (wheresaddie)
♥ Paintings (wheresaddie)

2017, oil on Acer Liquid Jade Z, twisted silk cord 5,6 x 2,7 inches

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♥ Paintings (tconch)
♥ Paintings (tconch)

2017, oil on Samsung Galaxy S4, 5,3 x 2,7 x 0,3 inches

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Chien-Loup
Chien-Loup

2017, installation, camouflage jackets, straps, 118,1 x 31,4 x 11,8 inches. Exhibition view "Quickening", Galerie 22,48m², Paris, France

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Return of the Broken Screens
Return of the Broken Screens

2015, installation, videos, damaged screens,durations and dimensions variables (with the support of SCAM)

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Return of the Broken Screens, 2015, installation, videos, damaged screens, durations and dimensions variables (with the support of SCAM)

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Denim (serie), 2017, found jeans, with holes, vacuum packaging, wall tablet holder, variable dimensions

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USB Key Received by Mistake Containing the Artwork "La Liberté en écorchée" from ORLAN" and artificially frozen by Laurent Pernot via www.matchart.net, USB key, key ring, artificial snow and ice, documents 1,6 x 1,7 x 0,9 inches

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Untitled SAS, 2015, custom installation, neon light (47,2 x 17,7 inches), faux marble, official documents (articles of constitution, share ledger, K-Bis, official publication, share certifcate/certificate of authenticity...), video Full HD 4/3 (2’30’’)

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Untitled SAS, 2015, custom installation, neon light (47,2 x 17,7 inches), faux marble, official documents (articles of constitution, share ledger, K-Bis, official publication, share certifcate/certificate of authenticity...), video Full HD 4/3 (2’30’’)

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Untitled SAS (detail), 2015, custom installation, neon light (47,2 x 17,7 inches), faux marble, official documents (articles of constitution, share ledger, K-Bis, official publication, share certifcate/certificate of authenticity...), video Full HD 4/3 (2’30’’)

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Les Nouveaux chercheurs d'or, 2015-2016, free golden samples, print on Awagami bamboo 170 g, variable dimensions

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Les Nouveaux chercheurs d'or, 2015-2016, free golden samples, print on Awagami bamboo 170 g, variable dimensions

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Les Nouveaux chercheurs d'or, 2015-2016, free golden samples, print on Awagami bamboo 170 g, variable dimensions

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Nakamoto (The Myth), 2015, HD video, 4'40''

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Ghosts of your Souvenir, 2014-2016, series of selfportraits, installation, collection of photographs found online, performance, digital print under Plexiglas, Dibond, 5,1 x 5,1 inches, 5,1 x 7 inches

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Ghosts of your Souvenir, 2014-2016, series of selfportraits, installation, collection of photographs found online, performance, digital print under Plexiglas, Dibond, 5,1 x 5,1 inches, 5,1 x 7 inches

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Clichés, 2014, generative film, website, 3'50''

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Dérives, 2011-2014, installation, generative film, extract from "La piscine"of Jacques Deray, 1968

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Dérives, 2011-2014, Generative video installation, From Steven Spielberg's "Jaws", 1970

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Regulus, 2015, generative animation video, undetermined length, collection of pictures found online, custom software (with the support of CNC/DICRéAM and DRAC Ile-de-France)

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Le Tour du monde en instantané, 2012-2013, (Antarctic Circle), Digigraphies, Hahnemühle paper and Dibond, 47,2 x 26,7 inches

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Bliss (La Colline verdoyante), 2013, lenticular print, light box, 19,7 x 15,7 inches

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Google Earth Movies, 2009 - 2013, Video, Reconstruction of "Fellini Roma" by Federico Fellini, 1972

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West Side Story 2, 2009 - 2013, Video, Reconstruction of Robert Wise's "West Side Story", 1960

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Cutting Grass, 2013, Site web, video

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Hold On, 2012 - 2013, interactive video installation, exhibition view "Festival Bouillants #5", 2013, Laiterie Les Bouillants, Vern-sur-Seiche, France

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1/1

French artist duo, lives and works in Paris.

"The meaning of value in a post-whatever era, the mass abundance of images - from amateur image production to professional images to algorithmically generated images - and the consequent shift of the artist from production to post-production - and from the creation of works to the generation of formats - are all recurring topics in the recent work of Émilie Brout and Maxime Marion. Since 2009 the French couple has been focusing on projects that, renovating the modernist language of film, make an extensive use of appropriated content from the web, which is freed from its status of meaningless, apparently valueless data floating in the information networks to be rearranged in complex, algorithmically generated, sometimes interactive narratives, or into powerful, iconic images."

 

Domenico Quaranta, AFK. Texts on Artists 2011 - 2016, 2016, Link Editions

VIDEOS

(sélection)