French artist duo, born in 1984 and 1982.

Live and work in Paris, France.

Website : www.eb-mm.net



SOLO SHOWS

2021       "génériq", 22,48 m2, Paris, FR


2019       "Collapsing New People", La Chaufferie, HEAR, Strasbourg, FR

               "Great Stories Start Here", 22,48 m2, Paris, FR

2018       "You should only have eyes for me", curated by Garance Chabert, Villa du Parc, Annemasse, FR

               "Lightning Ride", curated by Anni Venäläinen, Pori Art Museum, Pori, FI

 

2017       "Deliverance", Steve Turner, Los Angeles, US

                "Quickening", 22,48 m2, Paris, FR
               "Better Not Tell You Now", Link Cabinet, WWW

               "Predator 900R", Espace 36, Saint-Omer, FR

2015       "Les Nouveaux chercheurs d'or", 22,48 m2, Paris, FR 2013 Dérives, 22,48 m2, Paris, FR

2013       "Dérives", 22,48 m2, Paris, FR



GROUP SHOWS (SELECTION)

2022       "B3 Biennial of the Moving Image", MyZeil, Frankfurt, DE (upcoming)
               "Faut-il voyager pour être heureux", fondation EDF, Paris, FR (upcoming)
               "Teen Spirit", curated by Nancy Casielles, BPS22, Charleroi, BE

               "Ce que nous avons perdu dans le feu", commissariat : Lola Gonzàlez, Villa Arson, Nice, FR

2021       "Alter Ego", festival OVNi, curated by Centre d'art Le Lait, Hôtel Windsor, Nice, FR
               "For Your Eyes Only", curated by Domenico Quaranta, Feral File, WWW

               "Deus Ex Machina", commissariat Clément Thibault, Musée de Soissons, FR (à venir)

               "Brave New World Order", Triennale de la jeune création, commissariat Kevin Muhlen, Casino Luxembourg, LU

               "Poudres et forêts", commissariat : Collection départementale de Seine-Saint-Denis, Pavillon Maurouard, Sevran, FR

               "Superficiel", commissariat Camille Frasca et Antoine Py, Galerie Mansart, Paris, FR

               "Artifacts of Sentience", commissariat Molly Schulman et Britget Batch, SUPERCOLLIDER, Los Angeles, US

               "Muses algorithmiques", commissariat de Pierre Soignon, Galerie du Granit, Belford, FR

2020       "Picturalité(s)", Maison des Arts - centre d'art contemporain de Malakoff, Malakoff, FR

               "Persona Everyware", commissariat de Anne-Lou Vicente, Raphaël Brunel, Antoine Marchand,Centre d'art Le Lait, Albi, FR

               "After Party", commissariat Elodie Bernard, Fondation du Doute, Blois, FR

               "Me, Miself and I", commissariat Pieter Jan Valgaeren, Biennale de l'image possible, La Menuiserie, Liège, BE 

               "Rencontres internationales Paris/Berlin", Haus der Kulturen der Welt, Berlin, DE

               "Melting point", commissariat Jean-Jacques Gay, Le Bel Ordinaire, Pau, FR

               "Human Learning", commissariat de Dominique Moulon et Alain Thibault, Catherine Bédard Centre Culturel Canadien, Paris, FR

               "Bagage Cabine", curated by Elodie Bernard, Kogo Gallery, Tartu, EE

               "I have done things here I couldn't do elsewhere", commissariat de Indira Béraud  et Thomas Guillemet,6B, Saint-Denis,FR

                       

2019       "Lignes de vie", curated by Frank Lamy, MAC VAL, Vitry-sur-Seine, FR

               "10e édition du Prix Sciences Po pour l'art contemporain", Sciences Po, Paris, FR

               "Pourquoi faire / Pour quoi faire", curated by Renato Casciani & Olivier Gevart, Eté 78, Ixelles, BE

               "A2P", curated by Casey Reas, Addie Wagenknecht, Rick Silva, exonemo, The Wrong Biennale, WWW

               "Screen It, Stadstriënnale Hasselt/Genk", curated by Pieter Jan Valgaeren, C-Mine, Genk, BE

               "Autonomie Zéro", curated by Gilles Alvarez & Dominique Moulon, Cité internationale des arts, Paris, FR

               "On The Edge", curated by Aurélie Faure, Litexpo, Vilnius, LT

             

2018       "Reality Bytes", curated by Ivar Zeile, RedLine Contemporary Art Center, Denver, United States

               "Des surfaces dénuées d'innocence", Maison Populaire, Montreuil, France

               "Biennale de l’image tangible", Le Red Studio, Paris, France
                "Medio Acqua",curated by Renato Casciani, Base sous-marine, Bordeaux, France           
                "Fading Away", curated by Céline Flécheux, 22,48 m², Paris, France
                "Duty Free", curated by Bob Bicknell-Knight, Chelsea College of Arts, London, UK
                "Re/public", Polit-Forum, Bern, Switzerland

                "Collection for a Poor Collector", curated by Thomas Geiger, Sperling gallery, Munich, DE

                "Ecritures numériques", Musée L, Louvain-la-Neuve, Belgium          
                "Force of Nature", Galerie Steve Turner, Los Angeles, United States

                "Profils", Pavillon Blanc, Colomiers, France

2017       "Who’s still Workin’ on this Masterpiece?", curated by Dragos Olea, Le Loft/Collection Famille Servais, Bruxelles, BE

                "Extracting / Abstracting", Steve Turner Contemporary, Los Angeles, United States

                "Demo Day", curated by Fernando Schrupp, Kunstraum LLC gallery, New York, US

                "Post-production manœuvre", curated by Messi Luo, Minority Space Beijing, China      

                "Go Canny! Poétique du sabotage", curated by Nathalie Desmet et Marion Ziliot, Villa Arson, Nice, France

                "Stranger Collaborations", London Art Fair, curated by Pryle Behrman, Business Design Centre, London, UK

                "Iconomania", MAIF Social Club, Paris, France

                "Stories From Nowhere", Centre d'Art Bastille, Grenoble, FR

2016       "5th Moscow Biennale for Young Art", curated by Nadim Samman, Trekhgornaya Manufaktura, Moscow, RU
               "Le Temps de l'audace et de l'engagement", 5e triennale de l'ADIAF, curated by Nathalie Ergino, IAC de Villeurbanne, FR

                "Neoliberal Lulz", Carroll/Fletcher gallery, London, UK
               "Portrait de l'artiste en alter", FRAC Haute-Normandie, Sotteville-lès-Rouen, FR
               "Home Cinema", curated by Charles Carcopino, Gare Saint-Sauveur, Lille, FR + OCAT Shenzhen, CN + Daegu Art Museum, Daegu, KR                      "L'Art est un mensonge", curated by Sonia Recasens, H2M, Bourg-en-Bresse, FR
               "Not Really Really", curated by Frédéric de Goldschmidt & Agata Jastrzabek, Frédéric de Goldschmidt Collection, Brussels, BE

                "The Black Chamber", curated by Eva & Franco Mattes et Badi Brusadin, Museum of Modern and Contemporary Art, Rijeka, HR

                "D'autres possibles", curated by Thomas Fort, Pavillon Vendôme, Clichy, FR
               "(in)Exactitude in Science", curated by Kamilia Kard & Filippo Lorenzin, galerie Charlot, Paris, FR

2015       "Sèvres Outdoors", Cité de la céramique, Sèvres, FR
               "Bonjour la France !", curated by Sunhee Choi, Seongnam Arts Center, Seongnam, KR + Goyang AramNuri Arts Center, Goyang, KR                          "Something Else - Off Biennale Cairo", curated by Elena Giulia Abbiatici, Cairo, EG
               "Mapamundistas: Antipostales", curated by Alexandra Baurès, Citadel of Pamplona, ES
               "The Human Face of Cryptoeconomies", Furtherfield Gallery, London, UK
               "Home Cinema", curated by Charles Carcopino, MAC Créteil, FR; festival VIA, Manège Maubeuge-Mons, FR
                "Miroir, Ô mon miroir", curated by L'extension, Pavillon Carré de Baudouin, Paris, FR
                "Convergence", curated by Dominique Moulon, Maison Populaire de Montreuil, FR
                "Promenons-nous...", curated by Caroline Delieutraz & Géraldine Miquelot, Abbaye d'Annecy-le-Vieux, FR

2014       "Unoriginal Genius", curated by Domenico Quaranta, Carroll/Fletcher gallery, London, UK

                "Matière Cinéma", curated by Mathieu Vabre,  Seconde Nature, Aix-en-Provence, FR

               "Premio Arte Laguna", Telecom Italia Future Centre, Venezia, IT
               "Web Players", curated by Isabelle Arvers, Podfest, Rio de Janeiro, BR

                "Still Water", 22,48 m2, Paris, FR
               "Pense-bête/Reminders collection 1", curated by Sandra Aubry & Sébastien Bourg, Galerie de Roussan, Paris, FR

               "Werke sind Wesen", curated by Clément Stehlin, Villa Renata, Basel, CH

2013       "Terrible Twos", curated by Garance Chabert, Villa du Parc, Annemasse, FR

               "Jeune Création", Centquatre, Paris, FR

               "Play/display", 22,48 m2, Paris, FR
               "Talents Contemporains", Fondation François Schneider, Wattwiller, FR

AWARDS

2021       "Thessaloniki International Short Film Festival", cinematic achievement award, Thessalonique, GR

               "Around Video", grand jury prize, Hôtel Moxy, Lille, FR

2019       "Prix Sciences Po pour l'art contemporain", public prize, Sciences Po, Paris, FR

               "Art Vilnius, best artist prize, Vilnius, LT

2017       "Net Based Award", nominees, H3K/Kunst Bulletin, Haus der elektronischen Künste, Basel, CH

2014       "Arte Laguna Prize", digital art prize, Arsenal, Venice, IT


2011       "Fondation François Schneider", contemporary talent prize, Wattwiller, FR

GRANTS & RESIDENCIES

2021       "Development Programme", research residency, Kunsthal Gent, BE

2019       "CNC/DICRéAM", grant, Paris, FR

               "La Fondation des Artistes", grant, Paris, FR

               "Fonds Magnetic", grant, Bordeaux, FR


2017       "CNC/DICRéAM", grant, Paris, FR


2016       "Espace 36", production residency, Saint-Omer, FR


2015       "SCAM", grant "Brouillon d'un rêve numérique", Paris, FR 2014 DRAC Île-de-France, grant, Paris, FR

2014       "DRAC Île-de-France", grant, Paris, FR
 


2011       "SCAM", grant "Brouillon d'un rêve numérique", Paris, FR

COLLECTIONS

FRAC Ile-de-France, Paris, FR
FRAC Poitou-Charentes, Angoulême, FR
FRAC Aquitaine, Bordeaux, FR
FRAC Franche-Comté, Besançon, FR
Collection Départementale de Seine-Saint-Denis, FR

Fondation François Schneider, Wattwiller, FR

Collection Frédéric de Goldschmidt, Bruxelles, BE

Collection Famille Servais, Brussels, BE
Collection Jonathon Carroll, New-York, US
Plancius Art Collection, Amsterdam, NL

Private collections

SCREENINGS AND TALKS

2021       "A Truly Shared Love", preview screening, Kunsthal Gent, BE

               Thessaloniki International Short Film Festival", screening, Thessalonique, GR

2020       "Rencontres Internationales Paris/Berlin", projection, Louvre auditorium, Paris, FR"

2019       "Arts, Culture, and Digital Transformation Summit", conference and projection, Banff Centre for Arts and Creativity, Banff, CA

               "New Kids on the Blockchain", conference, "Saint Satoshi priez pour nous" , Gaîté Lyrique, Paris, FR

               "La Vraie Vie", projection (Rien à voir), curator : Guillaume Constantin, Les Instants chavirés, Montreuil, FR

2018       "Hot Steam", projection, curator : Keaton Fox, CCTV, Cambridge, US

2017      Supernova Outdoor Digital Animation Festival, projection, curator : Ivar Zeile, Denver, US

               SCAM/Best of 2017 écritures et formes émergentes, projection, SCAM, Paris, FR

               Les Visiteurs du soir, festival OVNI, Hotel Windsor, Nice, FR


2016       "Les Incessants" - Curator : Céline Poulain, Villa du Parc, Annemasse, France

               "The Black Chamber", Kino Siska, Lubjlana, Slovénie

               "Pléorama #1", screening, curated by Johan Decaix, Progress Gallery, Paris, FR          


2015       "New Aesthetic - Köln Unlimited", screening, Köln, DE

               "Cycle Bleu", Forum des Images, Paris, France

                "965 jours à 58 mètres", screening, Villa Belleville, Paris, FR

                "Art of the Networked Practice symposium", Nanyang University, Chine
 

2014       "Inside / Peer to Peer", Palais de Tokyo, Paris, France
                "Les Inrocks Lab/Nuit Blanche", screening, Ensad Paris, FR
               "Lovely Days in Bol", screening, curated by Contexts, Bol, Brac, HR

                "ESAD Orléans", Musée des Beaux-Art, Orléans, France

              

2013       "SCAM/Futur en Seine", screening, Centquatre, Paris, FR

                "MashUp Film Festival", Forum des Images, Paris, France

                "Copie Copains Club", Gaîté Lyrique, Paris, France 

                "Algoshorts", screening, curated by Alexis Kirke, Plymouth University, UK

FAIRS


2021       “Around Vidéo’’, with 22,48m2, Lille, FR
2019       “Art Vilnius’’, with 22,48m2, Litexpo, Vilnius, LT
2018       “Camera Camera’’, solo booth with 22,48m2, Hôtel Windsor, Nice, FR
2017       “Art Brussels’’, with Steve Turner, Tour & Taxis, Brussels, BE
2016       “Untitled Miami Beach’’, with Steve Turner, Miami, US
                “Art Brussels’’,solo booth with 22,48m2, Tour & Taxis, Brussels, BE
2015       “Art Brussels’’, with 22,48m2, Brussels Expo (Heysel), BE
2014       “LOOP Barcelona’’, solo booth with 22,48m2, Hôtel Catalonia Ramblas, Barcelona, ES

2013       “The Solo Project’’, with 22,48m2, Basel, CH

EDUCATION

2007 - 2009           EnsadLab, art+research lab, Ecole Nationale Supérieure des Arts Décoratifs de Paris, FR

2007                       DNSEP (MFA), Ecole Nationale Supérieure d'Art et de Design de Nancy et Ecole Supérieure d'Art d'Aix-en-provence, FR

2005                       DNA (BFA), Ecole Nationale Supérieure d'Art et de Design de Nancy, FR

PUBLICATIONS

"Persona Everyware", Anne-Lou Vicente et Raphael Brunel, What you see is what you hear, Paris, 2021

"Chefs-d'œuvre du XXIe siècle", Dominique Moulon, Nouvelles éditions Scala, Paris, 2021
"En fuyant ils cherchent une arme", Stéphanie Vidal, Nouvelles éditions Scala, Paris, 2019
"Radial #1", interview avec Maxence Alcade, Radian (ESAM, ESADHaR, ENSA Normandie, Ecole doctorale 558), 2019

"The Collection for the Poor Collector", Thomas Geiger, Edition Taube, Munich, 2018

"Streaming Egos - Digital identities, «Strategy 2: Fake Documents»", by Marie Lechner, Goethe-Institut Paris, 2016

"L’écran comme mobile", Jean-Louis Boissier, Mamco-Genève, 2016
"AFK, Texts on Artists 2011-2016", Domenico Quaranta, LINK Editions, Brescia, 2016
"De Leur temps, 5ème triennale de l’ADIAF", Collection privées françaises, IAC Villeurbanne, 2016

"The Black Chamber", LINK Editions, Brescia, 2016
"Talents Contemporains 2011 - 2012", Fondation François Schneider, Wattwiller, 2015

"Library of the Printed Web #3", curating and publishing by Paul Soulhellis, New-York, 2015

 

PRESS (SELECTION)

Artoday, mar 9 2022, "Stories: Émilie Brout & Maxime Marion", interview by Federico Montagna
Palm - Magazine du Jeu de Paume, mar 5 2022, "Photobombing: Émilie Brout & Maxime Marion", interview by Federica Chiocchetti Burlington Contemporary, jan 26 2022, "For Your Eyes Only", by Charlotte Kent
ARTE, dec 3 2021, Tracks, "Emilie Brout & Maxime Marion", portrait
Frieze, oct 21 2021, "Critic's Guide: what to see in Paris during FIAC", by Wilson Tarbox
Le Monde, oct 4 2021, "Un premier round réussi pour la foire Around Video à Lille", by Emmanuelle Jardonnet
Zérodeux, apr 16 2021, "Emilie Brout & Maxime Marion, deux gouttes navigant côte-à-côte à travers le vide", interview by Sophie Lapalu L'Œil, dec 52020, "50 artistes du XXIème siècle qui ont déjà marqué la scène française", by Stéphanie Lemoine
France Inter, aug 25 2020, Le Code a changé, "Quand les artistes s'emparent des questions numériques", interview by Xavier de la Porte Switch (on paper), may 12 2020, "Ecrans de fumée - Post-internet, et après ?" by Julien Bécourt
Mouvement, may 1 2020, "Persona Everyware" by Julien Bécourt
Slash, apr 29020, interview by Léone Metayer
Lechassis, apr 12020, #7, "A Truly Shared Love" by Indira Béraud
ESSE, jan 12020, #98, "Collapsing New People", by Vanessa Morisset
Art Press, oct 30 2019, "Collapsing New People", by Indira Béraud
Libération, mar 19 2019, "Great Stories : A l'amour comme à la guerre" by Clémentine Mercier
Art Press, feb 12 2019, #463, « L’image-caméléon », chronique by Etienne Hatt
Nichons-nous dans l'internet, dec 1 2018, #8, interview by Alexandre Léchenet
Revue Possible, dec 1 2018, « The Ballad of Web Dependency », interview by Vanessa Morisset
Beaux-Arts, nov 28 2018, "De l'amour en stock" by Maïlys Celeux-Lanval
France Culture, nov 14 2018, Les Carnets de la création, "Emilie Brout & Maxime Marion" by Aude Lavigne
Art Viewer, jul 28 2017, "Emilie Brout & Maxime Marion at Steve Turner"
Point contemporain / Pratiques critiques, jun 20 2017, "Cash, Check, Charge or Art", by Marion Zilio
Curating the Contemporary, jun 2 2017, "Artist of the Month", by Alejandro Ball
Beaux Arts, may 23 2017, "Quand les jeunes artistes rêvent de cyborgs", by Sarah Ihler-Meyer
France Culture, may 1 2017, Les Carnets de la création, by Aude Lavigne
Les Inrocks, apr 3 2017, "Les 5 expos à ne pas rater cette semaine", by Ingrid Luquet-Gad
France Culture, feb 24 2017, La vie numérique, "Un Logiciel est-il comme le pinceau d'un peintre ?", by Xavier de la Porte
Kunst Bulletin, dec 1 2016, "Digitale Kunst - Projekt des Monats", p64, by Raffael Dörig
Artspace, nov 30 2016, "10 of the Best New Artists at the Untitled Art Fair", by Andrew M. Goldstein
*DUUU @ Lafayette Anticipations, oct 21 2016, interview by Damien Airault
New York Observer, apr 23 2016, "Art World Descends on Brussels Despites Attacks", by Guelda Voien
Artsy, apr 21 2016, "The 7 Best Booths at Art Brussels", by Molly Gottschalk
Nova Planet, apr 14 2016, "Ils hantent vos souvenirs et vos photos de touristes", by Jean Morel
Rue89/L'Obs, apr 13 2016, "Chercheurs d'or", by Claire Richard
Vice/The Creators Project, apr 13 2016, "Art Trends: Artists Are Corporations Too", by Emerson Rosenthal
Curating the Contemporary, mar 24 2016, "Neoliberal Lulz @ Carroll/Fletcher: Lol-> Lul -> Lols -> Luls -> Lolz -> Lulz", by Gabriela Acha BBC, feb 16 2016, Business News, "The Woman who became a Corporation", by Dougal Shaw
Art Review, jan 1 2016, "The Human Face of Cryptoeconomies", p. 151, by J. J. Charlesworth
Furtherfield, oct 26 2015, "Value in the Digital Age: In Conversation with Emilie Brout & Maxime Marion", by Nicole Sansone
Osskoor, sep 28 2015, "Emilie Brout & Maxime Marion sont-ils les Madoff de l'art contemporain ?", by Maxence Alcade
Neural, mar 1 2015, Issue #49, "Nakamoto (The Proof)", by Aurelio Cianciotta
Libération, nov 15 2014, p34, "Au cœur de la matière filmique", by Marie Lechner
Les Inrocks, jun 26 2014, "Le cinéma sous algorithmes d’Emilie Brout et Maxime Marion", by Anna Hess
France Culture, apr 17 2014, Ce qui nous arrive sur la toile, "De l'art dans les paysages de Google" by Xavier de la Porte
France Culture, sep 2 2013, "La vignette" by Aude Lavigne
Libération, jun 12 2013, "Séance Tenante" by Marie Lechner
We Make Money Not Art, nov 21 2012, interview by Régine Debatty