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French artist duo, born in 1984 and 1982.
Live and work in Paris, France.
SOLO SHOWS
2023 "IDLE", 22,48 m², Romainville, FR
2021 "génériq", 22,48 m², Paris, FR
2019 "Collapsing New People", La Chaufferie, HEAR, Strasbourg, FR
"Great Stories Start Here", 22,48 m², Paris, FR
2018 "You should only have eyes for me", curated by Garance Chabert, Villa du Parc, Annemasse, FR
"Lightning Ride", curated by Anni Venäläinen, Pori Art Museum, Pori, FI
2017 "Deliverance", Steve Turner, Los Angeles, US
"Quickening", 22,48 m², Paris, FR
"Better Not Tell You Now", Link Cabinet, WWW
"Predator 900R", Espace 36, Saint-Omer, FR
2015 "Les Nouveaux chercheurs d'or", 22,48 m², Paris, FR
2013 "Dérives", 22,48 m², Paris, FR
GROUP SHOWS (SELECTION)
2025 "Machina Sapiens : Un parcours artistique", Conciergerie, Paris, FR
"CABINET INSTITUTE", Artagon Pantin, Pantin FR
2024 "Focus sur une œuvre du FRAC", FRAC Franche-Comté, Besançon, FR
"Sur tes lèvres", FRAC des Pays de la Loire/Le Lieu Unique, Nantes, FR
"Poetics of Encryption", curated by Nadim Samman, Kunsthal Charlottenborg, Copenhagen, DK
"Love is Everything Else", curated by Fabien Danesi, Casa Conti-Ange Leccia, Oletta, FR
"Per Speculum. Intelligence and its Double", curated by Domenico Quaranta, Fondazione Spazio Vitale, Verona, IT
"Outland", curated by François Ronsiaux, Pavillon Carré de Baudouin, Paris, FR
"Journal intime, carnet de voyage, livre de bord", curated by Caroline Bissière & Jean-paul Blanchet,
Abbaye Saint André - Centre d'art contemporain, Maymac, FR
"Poetics of Encryption", curated by Nadim Samman, KW Institute for Contemporary Art, Berlin, DE
2023 Festival Alt.+1000, commissariat : Pieter Jan Valgaeren, Vallée de la Brévine, Le Locle, CH
Festival Scopitone, commissariat : Mathieu Vabre, île de Nantes, FR
"Échantillon de soi", commissariat : Dominique Moulon, Centre d'Art Contemporain La Traverse, Alfortville, FR
"Fancy selfies", commissariat : Patrice Joly, Zoo Galerie, Nantes, FR
"Poétiques de l'immatériel", permanent collection, room 33, Centre Pompidou, Paris, FR
"[EMBED]", curated by Fabrice Gallis et Sophie Lapalu, Galerie Raymond Hains/Ecole des Beaux-Arts, Saint-Brieuc, FR
2022 "Biennale internationale BIAN", curated by Alain Thibault, Arsenal Art Contemporain, Montréal, CA
"B3 Biennial of the Moving Image", MyZeil, Frankfurt, DE
"Faut-il voyager pour être heureux ?", Espace Fondation EDF, Paris, FR
"Human Learning", curated by Dominique Moulon + Alain Thibault, Catherine Bédard, Le Kiasma, Castelnau-Le-Lez, FR
"Escape", curated by Eric Boulo & Antonin Fourneau, Alliances Françaises - Bruxelles, BE; Manille, PH; Douala, Yaoundé, CM; Bydgoszcz,
Gdansk, Katowice, Lodz, Lublin, Szczecin, Torun, Wroclaw, PL
"Teen Spirit", curated by Nancy Casielles, BPS22, Charleroi, BE
"Ce que nous avons perdu dans le feu", curated by Lola Gonzàlez, Villa Arson, Nice, FR
2021 "For Your Eyes Only", curated by Domenico Quaranta, Feral File, WWW
"Alter Ego", festival OVNi, curated by Centre d'art Le Lait, Hôtel Windsor, Nice, FR
"Escape", curated by Eric Boulo & Antonin Fourneau, Alliances françaises - Paris, FR; Lima, Piura, Chiclayo, Cuzco, PE
"Living Cube #5", curated by Elodie Bernard, Orléans, FR
"Deus Ex Machina", curated by Clément Thibault, Chapelle Saint-Charles, Soissons, FR
"Triennale de la jeune création", curated by Kevin Muhlen, Casino Luxembourg, LU
"L'Atelier des mémoires vives et imaginaires", curated by Christophe Le Gac, Le Miroir, chapelle Saint-Louis, Poitiers, FR
"Poudres et forêt", Collection de la CDAC Seine-Saint-Denis, Parc de la Poudrerie, Pavillon Maurouard, Vaujours, FR
"Superficiel", curated by Camille Frasca & Antoine Py, Galerie Mansart, Paris, FR
"Artifacts of Sentience", curated by Molly Schulman and Bridget Batch, SUPERCOLLIDER, Los Angeles, US
"Muses algorithmiques", curated by Pierre Soignon, Galerie du Granit, Belfort, FR
2020 "Picturalité(s)", Maison des Arts - centre d'art contemporain de Malakoff, Malakoff, FR
"Persona Everyware", commissariat de Anne-Lou Vicente, Raphaël Brunel, Antoine Marchand,Centre d'art Le Lait, Albi, FR
"After Party", commissariat Elodie Bernard, Fondation du Doute, Blois, FR
"Me, Miself and I", commissariat Pieter Jan Valgaeren, Biennale de l'image possible, La Menuiserie, Liège, BE
"Rencontres internationales Paris/Berlin", Haus der Kulturen der Welt, Berlin, DE
"Melting point", commissariat Jean-Jacques Gay, Le Bel Ordinaire, Pau, FR
"Human Learning", commissariat de Dominique Moulon et Alain Thibault, Catherine Bédard Centre Culturel Canadien, Paris, FR
"Bagage Cabine", curated by Elodie Bernard, Kogo Gallery, Tartu, EE
2019 "Autonomie Zéro", curated by Gilles Alvarez & Dominique Moulon, Cité internationale des arts, Paris, FR
"Pourquoi faire / Pour quoi faire", curated by Renato Casciani & Olivier Gevart, Eté 78, Ixelles, BE
"A2P", curated by Casey Reas, Addie Wagenknecht, Rick Silva, exonemo, The Wrong Biennale, WWW
"Living Cube #3", curated by Elodie Bernard, Orléans, FR
"Screen It, Stadstriënnale Hasselt/Genk", curated by Pieter Jan Valgaeren, C-Mine, Genk, BE
"On The Edge", curated by Aurélie Faure, Litexpo, Vilnius, LT
"10e édition du Prix Sciences Po pour l'art contemporain", Sciences Po, Paris, FR
"Lignes de vie", curated by Frank Lamy, MAC VAL, Vitry-sur-Seine, FR
2018 "Biennale de l'image tangible", biennal, Le Red Studio, Paris, FR
"Medio Acqua", curated by Renato Casciani, Base sous-marine, Bordeaux, FR
"Reality Bytes", curated by Ivar Zeile, RedLine Contemporary Art Center, Denver, US
"Fading Away", curated by Céline Flécheux, 22,48 m², Paris, FR
"Duty Free", curated by Bob Bicknell-Knight, Chelsea College of Arts, London, UK
"Re/public", curated by Roland Fischer, Stefanie Marlene Wenger & Raffael Dörig, Polit-Forum, Bern, CH
"Collection for a Poor Collector", curated by Thomas Geiger, Sperling gallery, Munich, DE
"Force of Nature", Steve Turner, Los Angeles, US
"Ecritures numériques", curated by Jacques Urbanska & Philippe Franck, Musée L, Louvain-la-Neuve, BE
"Profils", Pavillon Blanc, Colomiers, FR
"Ô Boulot", curated by Anne-Sophie Bérard, MAIF Social Club, Paris, FR
"Des Surfaces dénuées d'innocence", curated by Stéphanie Vidal, Maison Populaire, Montreuil, FR
2017 "The Wrong Biennale - Pavilion "Lucky Charms for Dinner", curated by Kamilia Kard, thewrong.org
"Stories From Nowhere", Centre d'Art Bastille, Grenoble, FR
"Demo Day", curated by Fernando Schrupp, Kunstraum LLC gallery, New York, US
"Post-production manœuvre", curated by Messi Luo, Minority Space Beijing, CN
"Who’s still Workin’ on this Masterpiece?", curated by Dragos Olea, Le Loft, collection Famille Servais, Bruxelles, BE
"Extracting / Abstracting", Steve Turner, Los Angeles, US
"Go Canny! Poétique du sabotage", curated by Nathalie Desmet, Eric Mangion & Marion Zilio, Villa Arson, Nice, FR
"Stranger Collaborations", London Art Fair, curated by Pryle Behrman, Business Design Centre, London, UK
"Iconomania", curated by Florence Guionneau-Joie, MAIF Social Club, Paris, FR
2016 "Home Cinema", curated by Charles Carcopino, Gare Saint-Sauveur, Lille, FR; OCAT Shenzhen, CN; Daegu Art Museum, Daegu, KR
"5th Moscow Biennale for Young Art", curated by Nadim Samman, Trekhgornaya Manufaktura, Moscow, RU
"L'Art est un mensonge", curated by Sonia Recasens, H2M, Bourg-en-Bresse, FR
"Portrait de l'artiste en alter", FRAC Haute-Normandie, Sotteville-lès-Rouen, FR
"Not Really Really", curated by Frédéric de Goldschmidt & Agata Jastrzabek, Frédéric de Goldschmidt Collection, Brussels, BE
"The Black Chamber", curated by Eva & Franco Mattes + Badi Brusadin, Museum of Modern and Contemporary Art, Rijeka, HR;
Škuc Gallery, Ljubljana, SI
"Société de service", curated by Dominique Moulon, Plateforme, Paris, FR
"Le Temps de l'audace et de l'engagement", 5th ADIAF Triennial , curated by Nathalie Ergino, Institut d'Art Contemporain de
Villeurbanne, FR
"Neoliberal Lulz", Carroll/Fletcher gallery, London, UK
"D'autres possibles", curated by Thomas Fort, Pavillon Vendôme, Clichy, FR
"The Wrong Biennale, (in)Exactitude in Science", curated by Kamilia Kard & Filippo Lorenzin, galerie Charlot, Paris, FR
2015 "Something Else - Off Biennale Cairo", curated by Elena Giulia Abbiatici, (in)Exactitude in Science, Cairo, EG
"Mapamundistas: Antipostales", curated by Alexandra Baurès, Citadel of Pamplona, ES
"The Human Face of Cryptoeconomies", Furtherfield Gallery, London, UK
"Bonjour la France !", curated by Sunhee Choi, Seongnam Arts Center, Seongnam, KR; Goyang AramNuri Arts Center, Goyang, KR
"Sèvres Outdoors", Cité de la céramique, Sèvres, FR
"Home Cinema", curated by Charles Carcopino, MAC Créteil, FR; festival VIA, Manège Maubeuge-Mons, FR
"Miroir, Ô mon miroir", curated by L'extension, Pavillon Carré de Baudouin, Paris, FR
"Convergence", curated by Dominique Moulon, Maison Populaire de Montreuil, FR
"Promenons-nous...", curated by Caroline Delieutraz & Géraldine Miquelot, Abbaye d'Annecy-le-Vieux, FR
2014 "Matière Cinéma", curated by Mathieu Vabre, Seconde Nature, Aix-en-Provence, FR
"Unoriginal Genius", curated by Domenico Quaranta, Carroll/Fletcher gallery, London, UK
"Variation", curated by Dominique Moulon, Espace Blancs Manteaux, Paris, FR
"Web Players", online, curated by Isabelle Arvers, Podfest, Rio de Janeiro, BR
"Still Water", 22,48 m², Paris, FR
"Pense-bête/Reminders collection 1", curated by Sandra Aubry & Sébastien Bourg, Galerie de Roussan, Paris, FR
"Werke sind Wesen", curated by Clément Stehlin, Villa Renata, Basel, CH
"Premio Arte Laguna", Telecom Italia Future Centre, Venezia, IT
2013 "Jeune Création", Centquatre, Paris, FR
"Play/display", 22,48 m², Paris, FR
"Talents Contemporains", Fondation François Schneider, Wattwiller, FR
"Terrible Twos", curated by Garance Chabert, Villa du Parc, Annemasse, FR
2012 "Uploloload - Eloge de la réalité diminuée", curated by Maxence Alcade & Caroline Delieutraz, 22,48 m², Paris, FR
"Art & Paysage", curated by Jean-François Dumont, Artigues-près-Bordeaux, FR
AWARDS
2022 "B3 Biennial", best immersive and time based art award, Frankfurt, DE
2021 "Around Video", grand jury prize, Hôtel Moxy, Lille, FR
"Thessaloniki International Short Film Festival", cinematic achievement award, Thessalonique, GR
2019 "Art Vilnius", best artist prize, Vilnius, LT
"Prix Sciences Po pour l'art contemporain, public prize, Sciences Po, Paris, FR
2017 "Net Based Award", nominees, H3K/Kunst Bulletin, Haus der elektronischen Künste, Basel, CH
2014 "Arte Laguna Prize", digital art prize, Arsenal, Venice, IT
2011 "Fondation François Schneider", contemporary talent prize, Wattwiller, FR
GRANTS & RESIDENCIES
2025 "Villa Kujoyama", Kyoto, JPN
2022 "Fonds Culturel National", grant "Francis André - Carte blanche", Luxembourg, LU
"CNC", grant, Paris, FR
"CNAP", grant, Paris, FR
2021 "Development Programme", residency, Kunsthal Gent, BE
2019 "La Fondation des Artistes", grant, Paris, FR
"CNC/DICRéAM", grant, Paris, FR
"Fonds Magnetic", grant, Bordeaux, FR
2017 "CNC/DICRéAM", grant, Paris, FR
2016 "Espace 36", residency, Saint-Omer, FR
2015 "SCAM", grant, Paris, FR
2014 "DRAC Île-de-France", grant, Paris, FR
2013 "CNC/DICRéAM", grant, Paris, FR
2011 "SCAM", grant, Paris, FR
COLLECTIONS
Centre Pompidou, Paris, FR
FRAC Ile-de-France, Paris, FR
FRAC Poitou-Charentes, Angoulême, FR
FRAC Aquitaine, Bordeaux, FR
FRAC Franche-Comté, Besançon, FR
Collection Départementale de Seine-Saint-Denis, FR
Cité des Sciences et de l'Industrie, Paris, FR
Private collections (Fondation François Schneider, Wattwiller, FR ; Collection Frédéric de Goldschmidt, Bruxelles, BE ; Collection Famille Servais, Brussels, BE ; Collection Jonathon Carroll, New-York, US ; Plancius Art Collection, Amsterdam, NL)
SCREENINGS AND TALKS
2022 "Prospectif Cinéma : Émilie Brout & Maxime Marion", screening and talk, curated by Aurélien Bernard, Centre Pompidou, Paris,
FR
2021 "A Truly Shared Love", preview screening, Kunsthal Gent, BE
Thessaloniki International Short Film Festival", screening, Thessalonique, GR
2020 "Rencontres Internationales Paris/Berlin", projection, Louvre auditorium, Paris, FR"
2019 "Arts, Culture, and Digital Transformation Summit", conference and projection, Banff Centre for Arts and Creativity, Banff, CA
"New Kids on the Blockchain", conference, "Saint Satoshi priez pour nous" , Gaîté Lyrique, Paris, FR
"La Vraie Vie", projection (Rien à voir), curator : Guillaume Constantin, Les Instants chavirés, Montreuil, FR
2018 "Hot Steam", projection, curator : Keaton Fox, CCTV, Cambridge, US
2017 Supernova Outdoor Digital Animation Festival, projection, curator : Ivar Zeile, Denver, US
SCAM/Best of 2017 écritures et formes émergentes, projection, SCAM, Paris, FR
Les Visiteurs du soir, festival OVNI, Hotel Windsor, Nice, FR
2016 "Les Incessants" - Curator : Céline Poulain, Villa du Parc, Annemasse, France
"The Black Chamber", Kino Siska, Lubjlana, Slovénie
"Pléorama #1", screening, curated by Johan Decaix, Progress Gallery, Paris, FR
2015 "New Aesthetic - Köln Unlimited", screening, Köln, DE
"Cycle Bleu", Forum des Images, Paris, France
"965 jours à 58 mètres", screening, Villa Belleville, Paris, FR
"Art of the Networked Practice symposium", Nanyang University, Chine
2014 "Inside / Peer to Peer", Palais de Tokyo, Paris, France
"Les Inrocks Lab/Nuit Blanche", screening, Ensad Paris, FR
"Lovely Days in Bol", screening, curated by Contexts, Bol, Brac, HR
"ESAD Orléans", Musée des Beaux-Art, Orléans, France
2013 "SCAM/Futur en Seine", screening, Centquatre, Paris, FR
"MashUp Film Festival", Forum des Images, Paris, France
"Copie Copains Club", Gaîté Lyrique, Paris, France
"Algoshorts", screening, curated by Alexis Kirke, Plymouth University, UK
FAIRS
2021 “Around Vidéo’’, with 22,48 m², Lille, FR
2019 “Art Vilnius’’, with 22,48 m², Litexpo, Vilnius, LT
2018 “Camera Camera’’, solo booth with 22,48 m², Hôtel Windsor, Nice, FR
2017 “Art Brussels’’, with Steve Turner, Tour & Taxis, Brussels, BE
2016 “Untitled Miami Beach’’, with Steve Turner, Miami, US
“Art Brussels’’,solo booth with 22,48 m², Tour & Taxis, Brussels, BE
2015 “Art Brussels’’, with 22,48 m², Brussels Expo (Heysel), BE
2014 “LOOP Barcelona’’, solo booth with 22,48 m², Hôtel Catalonia Ramblas, Barcelona, ES
2013 “The Solo Project’’, with 22,48 m², Basel, CH
EDUCATION
2007 - 2009 EnsadLab, art+research lab, Ecole Nationale Supérieure des Arts Décoratifs de Paris, FR
2007 DNSEP (MFA), Ecole Nationale Supérieure d'Art et de Design de Nancy et Ecole Supérieure d'Art d'Aix-en-provence, FR
2005 DNA (BFA), Ecole Nationale Supérieure d'Art et de Design de Nancy, FR
PUBLICATIONS
"Surfing con Satoshi", Domenico Quaranta, Postmedia Books, Milan, 2022
"Chefs-d'œuvre du XXIe siècle", Dominique Moulon, Nouvelles éditions Scala, Paris, 2021
"Persona Everyware", Anne-Lou Vicente et Raphael Brunel, What you see is what you hear, Paris, 2021
"Chefs-d'œuvre du XXIe siècle", Dominique Moulon, Nouvelles éditions Scala, Paris, 2021
"En fuyant ils cherchent une arme", Stéphanie Vidal, Nouvelles éditions Scala, Paris, 2019
"Radial #1", interview avec Maxence Alcade, Radian (ESAM, ESADHaR, ENSA Normandie, Ecole doctorale 558), 2019
"The Collection for the Poor Collector", Thomas Geiger, Edition Taube, Munich, 2018
"Streaming Egos - Digital identities, «Strategy 2: Fake Documents»", by Marie Lechner, Goethe-Institut Paris, 2016
"L’écran comme mobile", Jean-Louis Boissier, Mamco-Genève, 2016
"AFK, Texts on Artists 2011-2016", Domenico Quaranta, LINK Editions, Brescia, 2016
"De Leur temps, 5ème triennale de l’ADIAF", Collection privées françaises, IAC Villeurbanne, 2016
"The Black Chamber", LINK Editions, Brescia, 2016
"Talents Contemporains 2011 - 2012", Fondation François Schneider, Wattwiller, 2015
"Library of the Printed Web #3", curating and publishing by Paul Soulhellis, New-York, 2015
PRESS (SELECTION)
Les Inrockuptibles, October 2, 2023, "Frankenstein à l’ère de l’IA : un duo d’artistes update le mythe avec succès", Ingrid Luquet-Gad
Fisheye immersive, September 11, 2023, "3 bonnes raisons d’aller voir « IDLE », la nouvelle exposition d’Émilie Brout et Maxime Marion",
Manon Schaefle
Libération, April 14, 2022, "Villa Arson : pays rage", Judicaël Lavrador
Artoday, March 9, 2022, "Stories: Émilie Brout & Maxime Marion", Federico Montagna
Palm - Magazine du Jeu de Paume, March 5, 2022, "Photobombing: Émilie Brout & Maxime Marion", Federica Chiocchetti Burlington Contemporary, January 26, 2022, "For Your Eyes Only", Charlotte Kent
ARTE, December 3, 2021, Tracks, "Emilie Brout & Maxime Marion"
Frieze, Octobre 21, 2021, "Critic's Guide: what to see in Paris during FIAC", Wilson Tarbox
Le Monde, Octobre 4, 2021, "Un premier round réussi pour la foire Around Video à Lille", Emmanuelle Jardonnet
Zérodeux, April 16, 2021, "Emilie Brout & Maxime Marion, deux gouttes navigant côte-à-côte à travers le vide", Sophie Lapalu
L'Œil, December 5, 2020, "50 artistes du XXIème siècle qui ont déjà marqué la scène française", Stéphanie Lemoine
France Inter, August 25, 2020, Le Code a changé, "Quand les artistes s'emparent des questions numériques", Xavier de la Porte
Switch (on paper), May 12, 2020, "Ecrans de fumée - Post-internet, et après ?", Julien Bécourt
Mouvement, May 1, 2020, "Persona Everyware", Julien Bécourt
Slash, April 29, 2020, Léone Metayer
Lechassis, Apr 1, 2020, #7, "A Truly Shared Love", Indira Béraud
ESSE, January 12, 2020, #98, "Collapsing New People", Vanessa Morisset
Art Press, Octobre 30, 2019, "Collapsing New People", Indira Béraud
Libération, March 19, 2019, "Great Stories : A l'amour comme à la guerre", Clémentine Mercier
Art Press, February 12, 2019, #463, « L’image-caméléon », Etienne Hatt
Nichons-nous dans l'internet, December 1, 2018, #8, Alexandre Léchenet
Revue Possible, December 1, 2018, « The Ballad of Web Dependency », Vanessa Morisset
Beaux-Arts, Novembre 28, 2018, "De l'amour en stock", Maïlys Celeux-Lanval
France Culture, November 14, 2018, Les Carnets de la création, "Emilie Brout & Maxime Marion", Aude Lavigne
Art Viewer, July 28, 2017, "Emilie Brout & Maxime Marion at Steve Turner"
Point contemporain / Pratiques critiques, June 20, 2017, "Cash, Check, Charge or Art" Marion Zilio
Curating the Contemporary, June 2, 2017, "Artist of the Month", Alejandro Ball
Beaux Arts, May 23, 2017, "Quand les jeunes artistes rêvent de cyborgs", Sarah Ihler-Meyer
France Culture, May 1, 2017, Les Carnets de la création, Aude Lavigne
Les Inrocks, April 3 2017, "Les 5 expos à ne pas rater cette semaine", Ingrid Luquet-Gad
France Culture, February 24, 2017, La vie numérique, "Un Logiciel est-il comme le pinceau d'un peintre ?", Xavier de la Porte
Kunst Bulletin, December 1, 2016, "Digitale Kunst - Projekt des Monats", p. 64, Raffael Dörig
Artspace, November 30, 2016, "10 of the Best New Artists at the Untitled Art Fair", Andrew M. Goldstein
*DUUU @ Lafayette Anticipations, Octobre 21, 2016, Damien Airault
New York Observer, April 23, 2016, "Art World Descends on Brussels Despites Attacks", Guelda Voien
Artsy, April 21, 2016, "The 7 Best Booths at Art Brussels", Molly Gottschalk
Nova Planet,, April 14, 2016, "Ils hantent vos souvenirs et vos photos de touristes", Jean Morel
Rue89/L'Obs, April 13, 2016, "Chercheurs d'or", Claire Richard
Vice/The Creators Project, April 13, 2016, "Art Trends: Artists Are Corporations Too", Emerson Rosenthal
Curating the Contemporary, March 24, 2016, "Neoliberal Lulz @ Carroll/Fletcher: Lol-> Lul -> Lols -> Luls -> Lolz -> Lulz", Gabriela Acha
BBC, February 16, 2016, Business News, "The Woman Who Became a Corporation", Dougal Shaw
Art Review, January 1, 2016, "The Human Face of Cryptoeconomies", p. 151, J. J. Charlesworth
Furtherfield, October 26, 2015, "Value in the Digital Age: In Conversation with Emilie Brout & Maxime Marion", Nicole Sansone
Osskoor, September 28, 2015, "Emilie Brout & Maxime Marion sont-ils les Madoff de l'art contemporain ?", Maxence Alcade
Neural, March 1, 2015, Issue #49, "Nakamoto (The Proof)", Aurelio Cianciotta
Libération, November 15, 2014, p. 34, "Au cœur de la matière filmique", Marie Lechner
Les Inrocks, June 26, 2014, "Le cinéma sous algorithmes d’Emilie Brout et Maxime Marion", Anna Hess
France Culture, April 17, 2014, Ce qui nous arrive sur la toile, "De l'art dans les paysages de Google", Xavier de la Porte
France Culture, September 2, 2013, "La vignette", Aude Lavigne
Libération, June 12, 2013, "Séance Tenante", Marie Lechner
We Make Money Not Art, November 21, 2012, Régine Debatty