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2018, headphones, cases, objects, variable dimensions
Detail, 2018, headphones, cases, objects, variable dimensions
2018, headphones, cases, objects, variable dimensions
2018, headphones, cases, objects, variable dimensions
2018, headphones, cases, objects, variable dimensions
Art Rotterdam 2019
2018, adhesive tape fly, 6,2 x 8,2 inches
2018, sofa, fabric, foam, realised by Sarah Kalvar, 70,8 x 22 inches, 33,4 x 22 inches + adhesive tape fly, 6,3 x 8,3 inches
2018, "Dînette", gallery 22,48 m2, Paris
2018, "Dînette", gallery 22,48 m2, Paris
2018, polymer clay, silver, pâte polymère, argent, 0,9 x 0,9 and 4,7 x 0,8 inches
2015, cut out polyester, 59 x 23,6 inches
2018, canvas, copper threads, amplifiers, magnets, polymer clay, 31,4 x 31,4 inches
2018, pizza box, copper threads, amplifiers, magnets, polymer clay, 12,2 x 12,2 inches
2018, metal trophy, copper threads, amplifiers, magnets, polymer clay, circa 3,9 x 3,9 x 15,7 inches
2018, set of objects in polymer clay, variable dimensions
2018, set of objects in polymer clay, variable dimensions
2018, polymer clay, variable dimensions
2019, polymer clay, dimensions variable
2018, polymer clay, 10,6 x 1,9 x 1,1 inches
Art Rotterdam 2019
2018, polymer clay, variable dimensions
2018, polymer clay, variable dimensions
2018, wood, 96,8 x 6,7 inches
2018, polymer clay, 2,9 x 0,7 x 1,7 inches
2018, polymer clay, 4,5 x 7 inches
2018, polymer clay, pâte polymère, 3 x 0,8 x 1,6 inches
2018, polymer clay, pâte polymère, 4,3 x 4,9 inches
2018, video, mute, subtitles, 12'
2017, various objects, fimo clay, copper threads, amplifiers, magnets, variable dimensions
2017, various objects, fimo clay, copper threads, amplifiers, magnets, variable dimensions
2017, various objects, fimo clay, copper threads, amplifiers, magnets, variable dimensions
2015, strands of hair, fake ceiling, 19,7 x 19,7 x 11,8 inches
2014, video, mixted techniques, 3’12"
2016, various materials, headphones, sound system, variable dimensions
2014, video, actions, mixted techniques, 6’48’’
If they first made themselves known by their hopping electro-punk concerts, if they form with them four, surrounded by their friends, a nice tribe, Salut c’est cool must above all be considered today as an artistic collective, which evolves between the art of big sound, the slender voices of poetry and DIY video-digital. Under casual ways, amateurish or even decerebrated as they often cultivate the figures of idiocy Salut c’est cool leads to the obvious experimentation of an art that neglects the system of contemporary art, which ignores the boundaries of the cultural high and low popular, real and virtual, art and life to take up the great theme of the avant-garde artistic twentieth century which they are an extension to the age of the post-internet and Youtube. Boasting "their enjoyable and disconcerting freedom", Stephane Delorme writes in the Cahiers du Cinema that "the only genre in which hello works is cool, it is perhaps the hymn: hymn to the world, to nature, to objects, shapes, people, everything.
Jean Max Colard
VIDEOS
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