Audioguides
Audioguides

2018, headphones, cases, objects, variable dimensions

Audioguides
Audioguides

Detail, 2018, headphones, cases, objects, variable dimensions

Audioguides
Audioguides

Detail, 2018, headphones, cases, objects, variable dimensions

Audioguides
Audioguides

Detail, 2018, headphones, cases, objects, variable dimensions

Audioguides
Audioguides

Detail, 2018, headphones, cases, objects, variable dimensions

Exhibition view, Art Rotterdam 2019

Mouche
Mouche

2018, adhesive tape fly, 6,2 x 8,2 inches

Camembert + mouche
Camembert + mouche

2018, sofa, fabric, foam, realised by Sarah Kalvar, 70,8 x 22 inches, 33,4 x 22 inches + adhesive tape fly, 6,3 x 8,3 inches

Exhibition view, "Dînette", gallery 22,48 m2, Paris

Exhibition view, "Dînette", gallery 22,48 m2, Paris

Idôles (Cuillère et assiette)
Idôles (Cuillère et assiette)

2018, polymer clay, silver, pâte polymère, argent, 0,9 x 0,9 and 4,7 x 0,8 inches

Drapeau
Drapeau

2015, cut out polyester, 59 x 23,6 inches

Monochrome
Monochrome

2018, canvas, copper threads, amplifiers, magnets, polymer clay, 31,4 x 31,4 inches

Pizza
Pizza

2018, pizza box, copper threads, amplifiers, magnets, polymer clay, 12,2 x 12,2 inches

Trophy
Trophy

2018, metal trophy, copper threads, amplifiers, magnets, polymer clay, circa 3,9 x 3,9 x 15,7 inches

Apéritif
Apéritif

2018, set of objects in polymer clay, variable dimensions

Apéritif
Apéritif

2018, set of objects in polymer clay, variable dimensions

Kit bureautique
Kit bureautique

2018, polymer clay, variable dimensions

Kit peinture
Kit peinture

2019, polymer clay, dimensions variable

Multiprise
Multiprise

2018, polymer clay, 10,6 x 1,9 x 1,1 inches

Exhibition view, Art Rotterdam 2019

Kit Nettoyage
Kit Nettoyage

2018, polymer clay, variable dimensions

Briquet
Briquet

2018, polymer clay, variable dimensions

Couteau
Couteau

2018, wood, 96,8 x 6,7 inches

Monstre
Monstre

2018, polymer clay, 2,9 x 0,7 x 1,7 inches

Revue Science
Revue Science

2018, polymer clay, 4,5 x 7 inches

Monstre
Monstre

2018, polymer clay, pâte polymère, 3 x 0,8 x 1,6 inches

Matrix
Matrix

2018, polymer clay, pâte polymère, 4,3 x 4,9 inches

Dînette
Dînette

2018, video, mute, subtitles, 12'

Installation
Installation

2017, various objects, fimo clay, copper threads, amplifiers, magnets, variable dimensions

Installation
Installation

2017, various objects, fimo clay, copper threads, amplifiers, magnets, variable dimensions

Installation
Installation

2017, various objects, fimo clay, copper threads, amplifiers, magnets, variable dimensions

Sans titre
Sans titre

2015, strands of hair, fake ceiling, 19,7 x 19,7 x 11,8 inches

Vous êtes des pros
Vous êtes des pros

2014, video, mixted techniques, 3’12"

Sans titre
Sans titre

2016, various materials, headphones, sound system, variable dimensions

Je suis en train de rêver
Je suis en train de rêver

2014, video, actions, mixted techniques, 6’48’’

1/1

If they first made themselves known by their hopping electro-punk concerts, if they form with them four, surrounded by their friends, a nice tribe, Salut c’est cool must above all be considered today as an artistic collective, which evolves between the art of big sound, the slender voices of poetry and DIY video-digital. Under casual ways, amateurish or even decerebrated as they often cultivate the figures of idiocy Salut c’est cool leads to the obvious experimentation of an art that neglects the system of contemporary art, which ignores the boundaries of the cultural high and low popular, real and virtual, art and life to take up the great theme of the avant-garde artistic twentieth century which they are an extension to the age of the post-internet and Youtube. Boasting "their enjoyable and disconcerting freedom", Stephane Delorme writes in the Cahiers du Cinema that "the only genre in which hello works is cool, it is perhaps the hymn: hymn to the world, to nature, to objects, shapes, people, everything.
 

Jean Max Colard

VIDEOS

(sélection)